The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
Grez--for that is our destination--has been highly recommended for its
beauty. "_Il y a de l'eau_," people have said, with an emphasis, as if
that settled the question, which, for a French mind, I am rather led to
think it does. And Grez, when we get there, is indeed a place worthy of
some praise. It lies out of the forest, a cluster of houses, with an old
bridge, an old castle in ruin, and a quaint old church. The inn garden
descends in terraces to the river; stableyard, kailyard, orchard, and a
space of lawn, fringed with rushes and embellished with a green arbour.
On the opposite bank there is a reach of English-looking plain, set
thickly with willows and poplars. And between the two lies the river,
clear and deep, and full of reeds and floating lilies. Water-plants
cluster about the starlings of the long low bridge, and stand half-way
up upon the piers in green luxuriance. They catch the dipped oar with
long antennae, and chequer the slimy bottom with the shadow of their
leaves. And the river wanders hither and thither among the islets, and
is smothered and broken up by the reeds, like an old building in the
lithe, hardy arms of the climbing ivy. You may watch the box where the
good man of the inn keeps fish alive for his kitchen, one oily ripple
following another over the top of the yellow deal. And you can hear a
splashing and a prattle of voices from the shed under the old kirk,
where the village women wash and wash all day among the fish and
water-lilies. It seems as if linen washed there should be specially cool
and sweet.
We have come here for the river. And no sooner have we all bathed than
we board the two shallops and push off gaily, and go gliding under the
trees and gathering a great treasure of water-lilies. Some one sings;
some trail their hands in the cool water; some lean over the gunwale to
see the image of the tall poplars far below, and the shadow of the boat,
with balanced oars and their own head protruded, glide smoothly over the
yellow floor of the stream. At last, the day declining--all silent and
happy, and up to the knees in the wet lilies--we punt slowly back again
to the landing-place beside the bridge. There is a wish for solitude on
all. One hides himself in the arbour with a cigarette; another goes a
walk in the country with Cocardon; a third inspects the church. And it
is not till dinner is on the table, and the inn's best wine goes round
from glass to glass, that we begin to throw off the restraint and fuse
once more into a jolly fellowship.
Half the party are to return to-night with the wagonette; and some of
the others, loath to break up good company, will go with them a bit of
the way and drink a stirrup-cup at Marlotte. It is dark in the
wagonette, and not so merry as it might have been. The coachman loses
the road. So-and-so tries to light fireworks with the most indifferent
success. Some sing, but the rest are too weary to applaud; and it seems
as if the festival were fairly at an end--
Public-domain text, read in full here on John Shaqi.
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