The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other PapersStevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 22: Juvenilia and Other Papers
Stevenson, Robert Louis
English literature -- 19th century
I was not left without society. My landlord had a very pretty little
daughter whom we shall call Lizzie. If I had made any notes at the time,
I might be able to tell you something definite of her appearance. But
faces have a trick of growing more and more spiritualised and abstract
in the memory, until nothing remains of them but a look, a haunting
expression; just that secret quality in a face that is apt to slip out
somehow under the cunningest painter's touch, and leave the portrait
dead for the lack of it. And if it is hard to catch with the finest of
camel's hair pencils, you may think how hopeless it must be to pursue
after it with clumsy words. If I say, for instance, that this look,
which I remember as Lizzie, was something wistful that seemed partly to
come of slyness and in part of simplicity, and that I am inclined to
imagine it had something to do with the daintiest suspicion of a cast in
one of her large eyes, I shall have said all that I can, and the reader
will not be much advanced towards comprehension. I had struck up an
acquaintance with this little damsel in the morning, and professed much
interest in her dolls, and an impatient desire to see the large one
which was kept locked away for great occasions. And so I had not been
very long in the parlour before the door opened, and in came Miss Lizzie
with two dolls tucked clumsily under her arm. She was followed by her
brother John, a year or so younger than herself, not simply to play
propriety at our interview, but to show his own two whips in emulation
of his sister's dolls. I did my best to make myself agreeable to my
visitors, showing much admiration for the dolls and dolls' dresses, and,
with a very serious demeanour, asking many questions about their age and
character. I did not think that Lizzie distrusted my sincerity, but it
was evident she was both bewildered and a little contemptuous. Although
she was ready herself to treat her dolls as if they were alive, she
seemed to think rather poorly of any grown person who could fall
heartily into the spirit of the fiction. Sometimes she would look at me
with gravity and a sort of disquietude, as though she really feared I
must be out of my wits. Sometimes, as when I inquired too particularly
into the question of their names, she laughed at me so long and heartily
that I began to feel almost embarrassed. But when, in an evil moment, I
asked to be allowed to kiss one of them, she could keep herself no
longer to herself. Clambering down from the chair on which she sat
perched to show me, Cornelia-like, her jewels, she ran straight out of
the room and into the bar--it was just across the passage,--and I could
hear her telling her mother in loud tones, but apparently more in sorrow
than in merriment, that _the gentleman in the parlour wanted to kiss
Dolly_. I fancy she was determined to save me from this humiliating
action, even in spite of myself, for she never gave me the desired
permission.
Public-domain text, read in full here on John Shaqi.
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