The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23
Stevenson, Robert Louis
Stevenson, Robert Louis, 1850-1894 -- Correspondence
I have been walking these last days from place to place; and it does
make it hot for walking with a sack in this weather. I am burned in
horrid patches of red; my nose, I fear, is going to take the lead in
colour; Simpson is all flushed, as if he were seen by a sunset. I send
you here two rondeaux; I don't suppose they will amuse anybody but me;
but this measure, short and yet intricate, is just what I desire; and I
have had some good times walking along the glaring roads, or down the
poplar alley of the great canal, pitting my own humour to this old
verse.
Far have you come, my lady, from the town,
And far from all your sorrows, if you please,
To smell the good sea-winds and hear the seas,
And in green meadows lay your body down.
To find your pale face grow from pale to brown,
Your sad eyes growing brighter by degrees;
Far have you come, my lady, from the town,
And far from all your sorrows, if you please.
Here in this seaboard land of old renown,
In meadow grass go wading to the knees;
Bathe your whole soul a while in simple ease;
There is no sorrow but the sea can drown;
Far have you come, my lady, from the town.
_Nous n'irons plus au bois_
We'll walk the woods no more,
But stay beside the fire,
To weep for old desire
And things that are no more.
The woods are spoiled and hoar,
The ways are full of mire;
We'll walk the woods no more,
But stay beside the fire.
We loved, in days of yore,
Love, laughter, and the lyre.
Ah God, but death is dire,
And death is at the door--
We'll walk the woods no more.
ROBERT LOUIS STEVENSON.
TO MRS. SITWELL
The special mood or occasion of unaccustomed bitterness which
prompted this rhapsody has passed from memory beyond recall. The date
must be after his return from his second excursion to Fontainebleau.
_[Swanston, late Summer 1875] Thursday._
I have been staying in town, and could not write a word. It is a fine
strong night, full of wind; the trees are all crying out in the
darkness; funny to think of the birds asleep outside, on the tossing
branches, the little bright eyes closed, the brave wings folded, the
little hearts that beat so hard and thick (so much harder and thicker
than ever human heart) all stilled and quieted in deep slumber, in the
midst of this noise and turmoil. Why, it will be as much as I can do to
sleep in here in my walled room; so loud and jolly the wind sounds
through the open window. The unknown places of the night invite the
travelling fancy; I like to think of the sleeping towns and sleeping
farm-houses and cottages, all the world over, here by the white road
poplar-lined, there by the clamorous surf. Isn't that a good dormitive?
Public-domain text, read in full here on John Shaqi.
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