The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23
Stevenson, Robert Louis
Stevenson, Robert Louis, 1850-1894 -- Correspondence
I beg your pardon for this long discourse; it is not all right, of
course, but I am sure there is something in it. One thing I have not got
clearly; that about the omission and the commission; but there is truth
somewhere about it, and I have no time to clear it just now. Do you
know, you have had about a Cornhill page of sermon? It is, however,
true.
Lloyd heard with dismay Fanny was not going to give me a present; so F.
and I had to go and buy things for ourselves, and go through a
representation of surprise when they were presented next morning. It
gave us both quite a Santa Claus feeling on Xmas Eve to see him so
excited and hopeful; I enjoyed it hugely.--Your affectionate son,
ROBERT LOUIS STEVENSON.
TO SIDNEY COLVIN
I did go out to Davos after all in January, and found Stevenson
apparently little improved in health, and depressed by a sad turn of
destiny which had brought out his old friend Mrs. Sitwell to the same
place, at the same time, to watch beside the deathbed of her son--the
youth commemorated in the verses headed _F. A. S., In Memoriam_,
afterwards published in _Underwoods_. The following letter refers to
a copy of Carlyle's _Reminiscences_ which I had sent him some time
after I came back to England.
_Hotel Belvedere, Davos, [Spring 1881]._
MY DEAR COLVIN,--My health is not just what it should be; I have lost
weight, pulse, respiration, etc., and gained nothing in the way of my
old bellows. But these last few days, with tonic, cod-liver oil, better
wine (there is some better now), and perpetual beef-tea, I think I have
progressed. To say truth, I have been here a little over long. I was
reckoning up, and since I have known you, already quite a while, I have
not, I believe, remained so long in any one place as here in Davos. That
tells on my old gipsy nature; like a violin hung up, I begin to lose
what music there was in me; and with the music, I do not know what
besides, or do not know what to call it, but something radically part of
life, a rhythm, perhaps, in one's old and so brutally over-ridden
nerves, or perhaps a kind of variety of blood that the heart has come to
look for.
Public-domain text, read in full here on John Shaqi.
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