The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23Stevenson, Robert Louis
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The Works of Robert Louis Stevenson - Swanston Edition, Vol. 23
Stevenson, Robert Louis
Stevenson, Robert Louis, 1850-1894 -- Correspondence
Last night, after reading Walt Whitman a long while for my attempt to
write about him, I got _tête-montée_, rushed out up to M. S., came in,
took out _Leaves of Grass_, and without giving the poor unbeliever time
to object, proceeded to wade into him with favourite passages. I had at
least this triumph, that he swore he must read some more of him.--Ever
your faithful friend,
LOUIS STEVENSON.
TO MRS. SITWELL
On the question of the authorship of the _Ode to the Cuckoo_, which
Burke thought the most beautiful lyric in our language, the debate
was between the claims of John Logan, minister of South Leith
(1745-1785), and his friend and fellow-worker Michael Bruce. Those of
Logan have, I believe, been now vindicated past doubt.
_[Edinburgh], Saturday, October 4, 1873._
It is a little sharp to-day; but bright and sunny with a sparkle in the
air, which is delightful after four days of unintermitting rain. In the
streets I saw two men meet after a long separation, it was plain. They
came forward with a little run and _leaped_ at each other's hands. You
never saw such bright eyes as they both had. It put one in a good humour
to see it.
_8 p.m._--I made a little more out of my work than I have made for a
long while back; though even now I cannot make things fall into
sentences--they only sprawl over the paper in bald orphan clauses. Then
I was about in the afternoon with Baxter; and we had a good deal of fun,
first rhyming on the names of all the shops we passed, and afterwards
buying needles and quack drugs from open-air vendors, and taking much
pleasure in their inexhaustible eloquence. Every now and then as we
went, Arthur's Seat showed its head at the end of a street. Now, to-day
the blue sky and the sunshine were both entirely wintry; and there was
about the hill, in these glimpses, a sort of thin, unreal, crystalline
distinctness that I have not often seen excelled. As the sun began to go
down over the valley between the new town and the old, the evening grew
resplendent; all the gardens and low-lying buildings sank back and
became almost invisible in a mist of wonderful sun, and the Castle stood
up against the sky, as thin and sharp in outline as a castle cut out of
paper. Baxter made a good remark about Princes Street, that it was the
most elastic street for length that he knew; sometimes it looks, as it
looked to-night, interminable, a way leading right into the heart of
the red sundown; sometimes, again, it shrinks together, as if for
warmth, on one of the withering, clear east-windy days, until it seems
to lie underneath your feet.
Public-domain text, read in full here on John Shaqi.
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