The Works of Rudyard Kipling: One Volume EditionKipling, Rudyard
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The Works of Rudyard Kipling: One Volume Edition
Kipling, Rudyard
English fiction; English poetry; Short stories, English
Great Powers above--I looked up at them through the fog smoke--did the
Lords of Life and Death know what this meant to me? Nothing less than
eternal fame of the best kind; that comes from One, and is shared by one
alone. I would be content--remembering Clive, I stood astounded at my
own moderation,--with the mere right to tell one story, to work out one
little contribution to the light literature of the day. If Charlie were
permitted full recollection for one hour--for sixty short minutes--of
existences that had extended over a thousand years--I would forego all
profit and honor from all that I should make of his speech. I would take
no share in the commotion that would follow throughout the particular
corner of the earth that calls itself “the world.” The thing should be
put forth anonymously. Nay, I would make other men believe that they had
written it. They would hire bull-hided self-advertising Englishmen to
bellow it abroad. Preachers would found a fresh conduct of life upon it,
swearing that it was new and that they had lifted the fear of death from
all mankind. Every Orientalist in Europe would patronize it discursively
with Sanskrit and Pali texts. Terrible women would invent unclean
variants of the men's belief for the elevation of their sisters.
Churches and religions would war over it. Between the hailing and
re-starting of an omnibus I foresaw the scuffles that would arise among
half a dozen denominations all professing “the doctrine of the True
Metempsychosis as applied to the world and the New Era”; and saw, too,
the respectable English newspapers shying, like frightened kine,
over the beautiful simplicity of the tale. The mind leaped forward a
hundred--two hundred--a thousand years. I saw with sorrow that men would
mutilate and garble the story; that rival creeds would turn it upside
down till, at last, the western world which clings to the dread of death
more closely than the hope of life, would set it aside as an interesting
superstition and stampede after some faith so long forgotten that it
seemed altogether new. Upon this I changed the terms of the bargain that
I would make with the Lords of Life and Death. Only let me know, let me
write, the story with sure knowledge that I wrote the truth, and I would
burn the manuscript as a solemn sacrifice. Five minutes after the last
line was written I would destroy it all. But I must be allowed to write
it with absolute certainty.
There was no answer. The flaming colors of an Aquarium poster caught my
eye and I wondered whether it would be wise or prudent to lure Charlie
into the hands of the professional mesmerist, and whether, if he were
under his power, he would speak of his past lives. If he did, and if
people believed him--but Charlie would be frightened and flustered, or
made conceited by the interviews. In either case he would begin to lie,
through fear or vanity. He was safest in my own hands.
Public-domain text, read in full here on John Shaqi.
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