The Works of Samuel Johnson, in Sixteen Volumes. Volume 04Johnson, Samuel
Philosophy
The Works of Samuel Johnson, in Sixteen Volumes. Volume 04
Johnson, Samuel
Essays
We here easily remark the intertexture of a happy
compliment with an humble invitation; but certainly
are less delighted than those, to whom the
mention of the applause bestowed upon Maecenas,
gave occasion to recount the actions or words that
produced it.
Two lines which have exercised the ingenuity of
modern criticks, may, I think, be reconciled to the
judgment, by an easy supposition: Horace thus
addresses Agrippa:
Scriberis Vario fortis, et hostium
Victor, Maeonii carminis alite. Hon. Lib. i. Ode vi. 1.
Varius, a swan of Homer's wing,
Shall brave Agrippa's conquests sing.
That Varius should be called "A bird of Homeric
song," appears so harsh to modern ears, that an
emendation of the text has been proposed: but
surely the learning of the ancients had been long ago
obliterated, had every man thought himself at liberty
to corrupt the lines which he did not understand.
If we imagine that Varius had been by any of
his contemporaries celebrated under the appellation
of Musarum ales, "the swan of the Muses," the
language of Horace becomes graceful and familiar;
and that such a compliment was at least possible,
we know from the transformation feigned by Horace
of himself.
The most elegant compliment that was paid to
Addison, is of this obscure and perishable kind;
When panting Virtue her last efforts made,
You brought your Clio to the virgin's aid.
These lines must please as long as they are understood;
but can be understood only by those that have
observed Addison's signatures in the Spectator.
The nicety of these minute allusions I shall
exemplify by another instance, which I take this
occasion to mention, because, as I am told, the
commentators have omitted it. Tibullus addressed
Cynthia in this manner:
Te spectem, suprema mihi cum venerit hora,
Te teneam moriens deficiente manu. Lib. i. El. i. 73.
Before my closing eyes dear Cynthia stand,
Held weakly by my fainting trembling hand.
To these lines Ovid thus refers in his Elegy on the
death of Tibullus:
Cynthia discedens, Felicius, inquit, amata
Sum tibi; vixisti dum tuus ignis eram.
Cui Nemesis, quid, ait, tibi sint mea damna dolori?
Me tenuit moriens deficiente manu. Am. Lib. iii. El. ix.
56.
Blest was my reign, retiring Cynthia cry'd;
Not till he left my breast, Tibullus dy'd.
Forbear, said Nemesis, my loss to moan,
The FAINTING TREMBLING HAND was mine alone.
The beauty of this passage, which consists in the
appropriation made by Nemesis of the line originally
directed to Cynthia, had been wholly imperceptible
to succeeding ages, had chance, which has
destroyed so many greater volumes, deprived us
likewise of the poems of Tibullus.
No. 62. SATURDAY, JUNE 9, 1753
Of fortuna viris, invida fortibus
Quam non aequa bonis praemia diridis. SENECA.
Capricious Fortune ever joys,
With partial hand to deal the prize,
To crush the brave and cheat the wise.
TO THE ADVENTURER,
SIR,
Fleet, June 6.
Public-domain text, read in full here on John Shaqi.
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