The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 02: The Rambler, Volume IJohnson, Samuel
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The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 02: The Rambler, Volume I
Johnson, Samuel
English essays -- 18th century
The satisfaction received from this kind of writing not only begins early,
but lasts long; we do not, as we advance into the intellectual world,
throw it away among other childish amusements and pastimes, but willingly
return to it in any hour of indolence and relaxation. The images of true
pastoral have always the power of exciting delight; because the works of
nature, from which they are drawn, have always the same order and beauty,
and continue to force themselves upon our thoughts, being at once obvious
to the most careless regard, and more than adequate to the strongest
reason, and severest contemplation. Our inclination to stillness and
tranquillity is seldom much lessened by long knowledge of the busy and
tumultuary part of the world. In childhood we turn our thoughts to the
country, as to the region of pleasure; we recur to it in old age as a
port of rest, and perhaps with that secondary and adventitious gladness,
which every man feels on reviewing those places, or recollecting those
occurrences, that contributed to his youthful enjoyments, and bring
him back to the prime of life, when the world was gay with the bloom of
novelty, when mirth wantoned at his side, and hope sparkled before him.
The sense of this universal pleasure has invited _numbers without number_
to try their skill in pastoral performances, in which they have generally
succeeded after the manner of other imitators, transmitting the same
images in the same combination from one to another, till he that reads
the title of a poem, may guess at the whole series of the composition;
nor will a man, after the perusal of thousands of these performances,
find his knowledge enlarged with a single view of nature not produced
before, or his imagination amused with any new application of those
views to moral purposes.
The range of pastoral is indeed narrow, for though nature itself,
philosophically considered, be inexhaustible, yet its general effects
on the eye and on the ear are uniform, and incapable of much variety of
description. Poetry cannot dwell upon the minuter distinctions, by which
one species differs from another, without departing from that simplicity
of grandeur which fills the imagination; nor dissect the latent qualities
of things, without losing its general power of gratifying every mind, by
recalling its conceptions. However, as each age makes some discoveries,
and those discoveries are by degrees generally known, as new plants or
modes of culture are introduced, and by little and little become common,
pastoral might receive, from time to time, small augmentations, and
exhibit once in a century a scene somewhat varied.
Public-domain text, read in full here on John Shaqi.
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