Those whom the appearance of virtue, or the evidence of genius, have tempted to a nearer knowledge of the writer in whose performances they may be found, have indeed had frequent reason to repent their curiosity; the bubble that sparkled before them has become common water at the touch; the phantom of perfection has vanished when they wished to press it to their bosom. They have lost the pleasure of imagining how far humanity may be exalted, and, perhaps, felt themselves less inclined to toil up the steeps of virtue, when they observe those who seem best able to point the way, loitering below, as either afraid of the labour, or doubtful of the reward. It has been long the custom of the oriental monarchs to hide themselves in gardens and palaces, to avoid the conversation of mankind, and to be known to their subjects only by their edicts. The same policy is no less necessary to him that writes, than to him that governs; for men would not more patiently submit to be taught, than commanded, by one known to have the same follies and weaknesses with themselves. A sudden intruder into the closet of an author would perhaps feel equal indignation with the officer, who having long solicited admission into the presence of Sardanapalus, saw him not consulting upon laws, inquiring into grievances, or modelling armies, but employed in feminine amusements, and directing the ladies in their work. It is not difficult to conceive, however, that for many reasons a man writes much better than he lives. For without entering into refined speculations, it may be shewn much easier to design than to perform. A man proposes his schemes of life in a state of abstraction and disengagement, exempt from the enticements of hope, the solicitations of affection, the importunities of appetite, or the depressions of fear, and is in the same state with him that teaches upon land the art of navigation, to whom the sea is always smooth, and the wind always prosperous.