I know not whether, for the same reason, it is not necessary for an author to place some confidence in his own skill, and to satisfy himself in the knowledge that he has not deviated from the established laws of composition, without submitting his works to frequent examinations before he gives them to the publick, or endeavouring to secure success by a solicitous conformity to advice and criticism. It is, indeed, quickly discoverable, that consultation and compliance can conduce little to the perfection of any literary performance; for whoever is so doubtful of his own abilities as to encourage the remarks of others, will find himself every day embarrassed with new difficulties, and will harass his mind, in vain, with the hopeless labour of uniting heterogeneous ideas, digesting independent hints, and collecting into one point the several rays of borrowed light, emitted often with contrary directions. Of all authors, those who retail their labours in periodical sheets would be most unhappy, if they were much to regard the censures or the admonitions of their readers; for, as their works are not sent into the world at once, but by small parts in gradual succession, it is always imagined, by those who think themselves qualified to give instructions, that they may yet redeem their former failings by hearkening to better judges, and supply the deficiencies of their plan, by the help of the criticisms which are so liberally afforded. I have had occasion to observe, sometimes with vexation, and sometimes with merriment, the different temper with which the same man reads a printed and manuscript performance. When a book is once in the hands of the publick, it is considered as permanent and unalterable; and the reader, if he be free from personal prejudices, takes it up with no other intention than of pleasing or instructing himself: he accommodates his mind to the author's design; and, having no interest in refusing the amusement that is offered him, never interrupts his own tranquillity by studied cavils, or destroys his satisfaction in that which is already well, by an anxious inquiry how it might be better; but is often contented without pleasure, and pleased without perfection.