The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 03: The Rambler, Volume IIJohnson, Samuel
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The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 03: The Rambler, Volume II
Johnson, Samuel
English essays -- 18th century
Criticism, though dignified from the earliest ages by the labours of men
eminent for knowledge and sagacity, and, since the revival of polite
literature, the favourite study of European scholars, has not yet
attained the certainty and stability of science. The rules hitherto
received are seldom drawn from any settled principle or self-evident
postulate, or adapted to the natural and invariable constitution of
things; but will be found, upon examination, the arbitrary edicts of
legislators, authorised only by themselves, who, out of various means by
which the same end may be attained, selected such as happened to occur
to their own reflection, and then, by a law which idleness and timidity
were too willing to obey, prohibited new experiments of wit, restrained
fancy from the indulgence of her innate inclination to hazard and
adventure, and condemned all future flights of genius to pursue the path
of the Meonian eagle.
This authority may be more justly opposed, as it is apparently derived
from them whom they endeavour to control; for we owe few of the rules of
writing to the acuteness of criticks, who have generally no other merit
than that, having read the works of great authors with attention, they
have observed the arrangement of their matter, or the graces of their
expression, and then expected honour and reverence for precepts which
they never could have invented; so that practice has introduced rules,
rather than rules have directed practice.
For this reason the laws of every species of writing have been settled
by the ideas of him who first raised it to reputation, without inquiry
whether his performances were not yet susceptible of improvement. The
excellencies and faults of celebrated writers have been equally
recommended to posterity; and, so far has blind reverence prevailed,
that even the number of their books has been thought worthy of
imitation.
The imagination of the first authors of lyrick poetry was vehement and
rapid, and their knowledge various and extensive. Living in an age when
science had been little cultivated, and when the minds of their
auditors, not being accustomed to accurate inspection, were easily
dazzled by glaring ideas, they applied themselves to instruct, rather by
short sentences and striking thoughts, than by regular argumentation;
and, finding attention more successfully excited by sudden sallies and
unexpected exclamations, than by the more artful and placid beauties of
methodical deduction, they loosed their genius to its own course, passed
from one sentiment to another without expressing the intermediate ideas,
and roved at large over the ideal world with such lightness and agility,
that their footsteps are scarcely to be traced.
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