The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 04: The Adventurer; The IdlerJohnson, Samuel
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The Works of Samuel Johnson, LL.D. in Nine Volumes, Volume 04: The Adventurer; The Idler
Johnson, Samuel
English essays -- 18th century
The last royal projectors with whom the world has been troubled, were
Charles of Sweden and the Czar of Muscovy. Charles, if any judgment may
be formed of his designs by his measures and his inquiries, had purposed
first to dethrone the Czar, then to lead his army through pathless
deserts into China, thence to make his way by the sword through the
whole circuit of Asia, and by the conquest of Turkey to unite Sweden
with his new dominions: but this mighty project was crushed at Pultowa;
and Charles has since been considered as a madman by those powers, who
sent their ambassadors to solicit his friendship, and their generals "to
learn under him the art of war."
The Czar found employment sufficient in his own dominions, and amused
himself in digging canals, and building cities: murdering his subjects
with insufferable fatigues, and transplanting nations from one corner of
his dominions to another, without regretting the thousands that perished
on the way: but he attained his end, he made his people formidable, and
is numbered by fame among the demi-gods.
I am far from intending to vindicate the sanguinary projects of heroes
and conquerors, and would wish rather to diminish the reputation of
their success, than the infamy of their miscarriages: for I cannot
conceive, why he that has burned cities, wasted nations, and filled the
world with horrour and desolation, should be more kindly regarded by
mankind, than he that died in the rudiments of wickedness; why he that
accomplished mischief should be glorious, and he that only endeavoured
it should be criminal. I would wish Cæsar and Catiline, Xerxes and
Alexander, Charles and Peter, huddled together in obscurity or
detestation.
But there is another species of projectors, to whom I would willingly
conciliate mankind; whose ends are generally laudable, and whose labours
are innocent; who are searching out new powers of nature, or contriving
new works of art; but who are yet persecuted with incessant obloquy, and
whom the universal contempt with which they are treated, often debars
from that success which their industry would obtain, if it were
permitted to act without opposition.
They who find themselves inclined to censure new undertakings, only
because they are new, should consider, that the folly of projection is
very seldom the folly of a fool; it is commonly the ebullition of a
capacious mind, crowded with variety of knowledge, and heated with
intenseness of thought; it proceeds often from the consciousness of
uncommon powers, from the confidence of those, who having already done
much, are easily persuaded that they can do more. When Rowley had
completed the orrery, he attempted the perpetual motion; when Boyle had
exhausted the secrets of vulgar chymistry, he turned his thoughts to the
work of transmutation[1].
Public-domain text, read in full here on John Shaqi.
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