Broome probably considered himself as injured, and there was, for some time, more than coldness between him and his employer. He always spoke of Pope as too much a lover of money; and Pope pursued him with avowed hostility; for he not only named him disrespectfully in the Dunciad, but quoted him more than once in the Bathos, as a proficient in the Art of Sinking; and in his enumeration of the different kinds of poets distinguished for the profound, he reckons Broome among "the parrots who repeat another's words in such a hoarse odd tone as makes them seem their own." I have been told that they were afterwards reconciled; but I am afraid their peace was without friendship. He afterwards published a Miscellany of Poems, which is inserted, with corrections, in the late compilation. He never rose to a very high dignity in the church. He was some time rector of Sturston, in Suffolk, where he married a wealthy widow; and afterwards, when the king visited Cambridge, 1728, became doctor of laws. He was, in August, 1728, presented by the crown to the rectory of Pulham, in Norfolk, which he held with Oakley Magna, in Suffolk, given him by the lord Cornwallis, to whom he was chaplain, and who added the vicarage of Eye, in Suffolk; he then resigned Pulham, and retained the other two. Towards the close of his life he grew again poetical, and amused himself with translating Odes of Anacreon, which he published in the Gentleman's Magazine, under the name of Chester. He died at Bath, November 16,1745, and was buried in the abbey church. Of Broome, though it cannot be said that he was a great poet, it would be unjust to deny that he was an excellent versifier; his lines are smooth and sonorous, and his diction is select and elegant. His rhymes are sometimes unsuitable; in his Melancholy, he makes _breath_ rhyme to _birth_ in one place, and to _earth_ in another. Those faults occur but seldom; and he had such power of words and numbers as fitted him for translation; but, in his original works, recollection seems to have been his business more than invention. His imitations are so apparent, that it is part of his reader's employment to recall the verses of some former poet. Sometimes he copies the most popular writers, for he seems scarcely to endeavour at concealment; and sometimes he picks up fragments in obscure corners. His lines to Fenton, Serene, the sting of pain thy thoughts beguile, And make afflictions objects of a smile, brought to my mind some lines on the death of queen Mary, written by Barnes, of whom I should not have expected to find an imitator; But thou, O muse! whose sweet nepenthean tongue Can charm the pangs of death with deathless song, Canst _stinging plagues_ with easy _thoughts beguile_, _Make_ pains and tortures _objects of a smile_.