This mode of imitation, in which the ancients are familiarized, by adapting their sentiments to modern topicks, by making Horace say of Shakespeare what he originally said of Ennius, and accommodating his satires on Pantolabus and Nomentanus to the flatterers and prodigals of our own time, was first practised in the reign of Charles the second, by Oldham and Rochester, at least I remember no instances more ancient. It is a kind of middle composition between translation and original design, which pleases when the thoughts are unexpectedly applicable, and the parallels lucky. It seems to have been Pope's favourite amusement; for he has carried it farther than any former poet. He published, likewise, a revival, in smoother numbers, of Dr. Donne's satires, which was recommended to him by the duke of Shrewsbury and the earl of Oxford. They made no great impression on the publick. Pope seems to have known their imbecility, and, therefore, suppressed them while he was yet contending to rise in reputation, but ventured them when he thought their deficiencies more likely to be imputed to Donne than to himself. The epistle to Dr. Arbuthnot, which seems to be derived, in its first design, from Boileau's Address _a son Esprit_, was published in January, 1735, about a month before the death of him to whom it is inscribed. It is to be regretted, that either honour or pleasure should have been missed by Arbuthnot; a man estimable for his learning, amiable for his life, and venerable for his piety. Arbuthnot was a man of great comprehension, skilful in his profession, versed in the sciences, acquainted with ancient literature, and able to animate his mass of knowledge by a bright and active imagination; a scholar with great brilliancy of wit; a wit, who, in the crowd of life, retained and discovered a noble ardour of religious zeal. In this poem Pope seems to reckon with the publick. He vindicates himself from censures; and with dignity, rather than arrogance, enforces his own claims to kindness and respect. Into this poem are interwoven several paragraphs which had been before printed as a fragment, and among them the satirical lines upon Addison, of which the last couplet has been twice corrected. It was at first, Who would not smile if such a man there be? Who would not laugh if Addison were he? Then, Who would not grieve if such a man there be? Who would not laugh if Addison were he? At last it is, Who but must laugh if such a man there be? Who would not weep if Atticus were he?