The story, thus skilfully adopted, has been diligently improved. Pope has left nothing behind him, which seems more the effect of studious perseverance and laborious revisal. Here is particularly observable the "curiosa felicitas," a fruitful soil and careful cultivation. Here is no crudeness of sense, nor asperity of language. The sources from which sentiments, which have so much vigour and efficacy, have been drawn, are shown to be the mystick writers by the learned author of the Essay on the Life and Writings of Pope; a book which teaches how the brow of criticism may be smoothed, and how she may be enabled, with all her severity, to attract and to delight. The train of my disquisition has now conducted me to that poetical wonder, the translation of the Iliad, a performance which no age or nation can pretend to equal. To the Greeks translation was almost unknown; it was totally unknown to the inhabitants of Greece. They had no recourse to the barbarians for poetical beauties, but sought for every thing in Homer, where, indeed, there is but little that they might not find. The Italians have been very diligent translators; but I can hear of no version, unless, perhaps, Anguillara's Ovid may be excepted, which is read with eagerness. The Iliad of Salvini every reader may discover to be punctiliously exact; but it seems to be the work of a linguist skilfully pedantick; and his countrymen, the proper judges of its power to please, reject it with disgust. Their predecessors, the Romans, have left some specimens of translation behind them, and that employment must have had some credit in which Tully and Germanicus engaged; but, unless we suppose, what is perhaps true, that the plays of Terence were versions of Menander, nothing translated seems ever to have risen to high reputation. The French, in the meridian hour of their learning, were very laudably industrious to enrich their own language with the wisdom of the ancients; but found themselves reduced, by whatever necessity, to turn the Greek and Roman poetry into prose. Whoever could read an author, could translate him. From such rivals little can be feared. The chief help of Pope in this arduous undertaking was drawn from the versions of Dryden. Virgil had borrowed much of his imagery from Homer, and part of the debt was now paid by his translator. Pope searched the pages of Dryden for happy combinations of heroick diction; but it will not be denied that he added much to what he found. He cultivated our language with so much diligence and art, that he has left in his Homer a treasure of poetical elegancies to posterity. His version may be said to have tuned the English tongue; for, since its appearance, no writer, however deficient in other powers, has wanted melody. Such a series of lines, so elaborately corrected, and so sweetly modulated, took possession of the publick ear; the vulgar was enamoured of the poem, and the learned wondered at the translation.