The Works of Sir Thomas Browne, Volume 3Browne, Thomas, Sir
Religion
The Works of Sir Thomas Browne, Volume 3
Browne, Thomas, Sir
Christianity; Ethics; Religion and medicine
But if (as some opinion) [SN: Plutarch _in the life of_ Artaxerxes.]
King _Ahasuerus_ were _Artaxerxes Mnemon_, that found a life and reign
answerable unto his great memory, our magnified _Cyrus_ was his second
brother: who gave the occasion of that memorable work, and almost
miraculous retrait of _Xenophon_. A person of high spirit and honour,
naturally a King, though fatally prevented by the harmlesse chance of
_post_-geniture: Not only a Lord of Gardens, but a manuall planter
thereof: disposing his trees like his armies in regular ordination. So
that while old _Laertas_ hath found a name in _Homer_ for pruning
hedges, and clearing away thorns and bryars; while King _Attalus_ lives
for his poysonous plantations of _Aconites_, Henbane, Hellebore, and
plants hardly admitted within the walls of Paradise; While many of the
Ancients do poorly live in the single names of Vegetables; All stories
do look upon _Cyrus_, as the splendid and regular planter.
According whereto _Xenophon_[113] describeth his gallant plantation at
_Sardis_, thus rendered by _Stobæus, Arbores pari intervallo sitas,
rectos ordines, et omnia perpulchrè in Quincuncem directa_.[114] Which
we shall take for granted as being accordingly rendered by the most
elegant of the Latines;[115] and by no made term, but in use before by
_Varro_. That is, the rows and orders so handsomely disposed; or five
trees so set together, that a regular angularity, and through prospect,
was left on every side. Owing this name not only unto the Quintuple
number of Trees, but the figure declaring that number, which being
doubled at the angle, makes up the Letter Χ, that is the Emphatical
decussation, or fundamental figure.
[113] Xenophon in Oeconomico.
[114] Καλὰ μὲν τὰ δένδρα, διʼ ἴσου δὲ τὰ πεφυτευμένα, ὀρθοὶ δὲ ὁι
στίχοι τῶν δένδρον, εὐγώνεα δὲ πάντα καλῶς
[115] Cicero iæ Cat. Major.
Now though in some ancient and modern practice the _area_ or decussated
plot, might be a perfect square, answerable to a _Tuscan Pedestal_, and
the _Quinquernio_ or Cinque-point of a die; wherein by Diagonal lines
the intersection was regular; accommodable unto Plantations of large
growing Trees; and we must not denie our selves the advantage of this
order; yet shall we chiefly insist upon that of _Curtius_[116] and
_Porta_, in their brief description hereof. Wherein the _decussis_ is
made within a longilateral square, with oposite angles, acute and obtuse
at the intersection; and so upon progression making a _Rhombus_ or
Lozenge figuration, which seemeth very agreeable unto the Original
figure; Answerable whereunto we observe the decussated characters in
many consulary coynes, and even in those of _Constantine_ and his Sons,
which pretend their pattern in the Sky; the crucigerous Ensigne carried
this figure, not transversly or rectangularly intersected, but in a
decussation, after the form of an _Andrean_ or _Burgundian_ cross, which
answereth this description.
Public-domain text, read in full here on John Shaqi.
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