λέγεται γὰρ μεθ᾽ Ἡρακλέα παρελθεῖν ἐκεῖσε καὶ ὁ Κυρῖνος, ᾧ δὴ χρὴ καλεῖν αὐτὸν ὀνόματι, τῇ θείᾳ πειθομένους φήμῃ. τοῖς μὲν οὖν θεοῖς ἐκεῖσε παρεσκεύαστο τὸ συμπόσιον· [C] ὑπ᾽ αὐτὴν δὲ τὴν σελήνην ἐπὶ μετεώρου τοῦ ἀέρος ἐδέδοκτο τοὺς καίσαρας δειπνεῖν. ἀνεῖχε δὲ αὐτοὺς ἥ τε τῶν σωμάτων κουφότης, ἅπερ ἐτύγχανον ἠμφιεσμένοι, καὶ ἡ περιφορὰ τῆς σελήνης. κλῖναι μὲν οὖν ἔκειντο τέτταρες, εὐτρεπεῖς τοῖς μεγίστοις θεοῖς. ἐβένου μὲν ἦν ἡ τοῦ Κρόνου στιλβούσης καὶ πολλὴν ἐν τῷ μέλανι καὶ θείαν αὐγὴν κρυπτούσης, ὥστε οὐδεὶς οἷός τε ἦν ἀντιβλέπειν. ἔπασχε δὲ ταὐτὸ [D] πρὸς τὴν ἔβενον ἐκείνην τὰ ὄμματα δι᾽ ὑπερβολὴν τῆς λαμπηδόνος, ὅπερ οἶμαι πρὸς ἥλιον, ὅταν αὐτοῦ τῷ δίσκῳ τις ἀτενέστερον προσβλέπῃ. ἡ δὲ τοῦ Διὸς ἦν ἀργύρου μὲν στιλπνοτέρα, χρυσίου δὲ λευκοτέρα. τοῦτο εἴτε ἤλεκτρον χρὴ καλεῖν εἴτε ἄλλο τι λέγειν, οὐ σφόδρα εἶχέ μοι γνωρίμως ὁ Ἑρμῆς φράσαι. χρυσοθρόνω δὲ παρ᾽ ἑκάτερον ἐκαθεζέσθην(547) ἥ τε μήτηρ καὶ ἡ θυγάτηρ, [308] Ἥρα μὲν παρὰ τὸν Δία, Ῥέα δὲ παρὰ τὸν Κρόνον. τὸ δὲ τῶν θεῶν κάλλος οὐδὲ ἐκεῖνος ἐπεξῄει τῷ λόγῳ, μεῖζον εἶναι λέγων αὐτὸ καὶ νῷ θεατόν, ἀκοῇ δὲ καὶ ῥήμασιν οὔτε προοισθῆναι ῥᾴδιον οὔτε παραδεχθῆναι δυνατόν. οὐχ οὕτω τις ἔσται καὶ φανεῖται μεγαλόφωνος, ὥστε τὸ μέγεθος ἐκεῖνο φράσαι τοῦ κάλλους, ὁπόσον ἐπιπρέπει τῇ τῶν θεῶν ὄψει. (For we are told that after Heracles, Quirinus also ascended thither, since we must give Romulus the name of Quirinus in obedience to the divine will.(548) For the gods then the banquet had been made ready there. But just below the moon in the upper air he had decided to entertain the Emperors. The lightness of the bodies with which they had been invested, and also the revolution of the moon sustained them. Four couches were there made ready for the superior gods. That of Kronos was made of gleaming ebony, which concealed in its blackness a lustre so intense and divine that no one could endure to gaze thereon. For in looking at that ebony, the eyes suffered as much, methinks, from its excess of radiance as from the sun when one gazes too intently at his disc. The couch of Zeus was more brilliant than silver, but paler than gold; whether however one ought to call this “electron,”(549) or to give it some other name, Hermes could not inform me precisely. On either side of these sat on golden thrones the mother and daughter, Hera beside Zeus and Rhea beside Kronos. As for the beauty of the gods, not even Hermes tried to describe it in his tale; he said that it transcended description, and must be comprehended by the eye of the mind; for in words it was hard to portray and impossible to convey to mortal ears. Never indeed will there be or appear an orator so gifted that he could describe such surpassing beauty as shines forth on the countenances of the gods.)