The Works of the Emperor Julian, Vol. 2Julian, Emperor of Rome
Philosophy
The Works of the Emperor Julian, Vol. 2
Julian, Emperor of Rome
Speeches, addresses, etc., Greek -- Translations into English
Λέγεταί τοι μικρῷ πρόσθεν ὡς ἐνθένδε ἐκεῖσέ τις Καππαδόκης φυγάς, ἐν τῇ
παρ᾽ ὑμῖν τραφεὶς πόλει παρὰ τῷ χρυσοχίῳ· γνωρίζετε δήπουθεν ὃν λέγω·
μαθὼν ὅπου καὶ ἔμαθεν, ὡς οὐ δέον ὁμιλεῖν γυναιξί, μειρακίοις δ᾽
ἐπιχειρεῖν, οὐκ οἶδα ὁπόσα ἐνθάδε δράσας καὶ παθών, [360]ἐπειδὴ παρὰ τὸν
ἐκεῖσε βασιλέα πρῴην ἀφίκετο, μνήμῃ τῶν τῇδε πολλοὺς μὲν ὀρχηστὰς αὐτοῖς
ἐπαγαγεῖν, ἄλλα δὲ τὰ ἐντεῦθεν ἀγαθὰ τοιαῦτα, καὶ δή καὶ τέλος ὡς
ἐνεδέησεν ἔτι κοτυλιστοῦ· τοῦτο δ᾽ ὑμεῖς ἴστε πρὸς τῷ ἔργῳ τὸ ὄνομα· καὶ
τοῦτον ἐνθένδε ἐκάλει πόθῳ καὶ ἔρωτι τῆς σεμνῆς παρ᾽ ὑμῖν διαίτης. οἱ
Κελτοὶ δὲ τὸν μὲν κοτυλιστὴν ἠγνόησαν, [B] ἐδέξατο γὰρ αὐτὸν αὐτίκα τὰ
βασίλεια, τοὺς ὀρχηστὰς δὲ ἐπιτραπέντας ἐπιδείκνυσθαι(764) ἐν τῷ θεάτρῳ
τὴν τέχνην εἴασαν οἰόμενοι τοῖς νυμφολήπτοις αὐτοὺς ἐοικέναι. καὶ ἦν
αὐτοῖς ἐκεῖ παραπλησίως ἐμοὶ καταγελαστότατον τὸ θέατρον· ἀλλ᾽ οἱ μὲν
ὀλίγοι πολλῶν κατεγέλων, ἐγὼ δὲ ξὺν ὀλίγοις ἐνθάδε γελοῖος ὑμῖν ἅπασι τὰ
πάντα φαίνομαι.
(A story is told of them that not long ago a certain Cappadocian was
exiled from here to that place, a man who had been brought up in your city
in the house of the goldsmith—you know of course whom I mean,—and had
learned, as he naturally did learn there, that one ought not to have
intercourse with women but to pay attentions to youths. And when, after
doing and suffering here I know not what, he went to the court of the king
in that country, he took with him to remind him of your habits here a
number of dancers and other such delights from this city; and then finally
since he still needed a cotylist(765)—you know the word and the thing
too—he invited him also from here, because of his longing and love for the
austere mode of life that prevails with you. Now the Celts never made the
acquaintance of the cotylist, since he was at once admitted into the
palace; but when the dancers began to display their art in the theatre,
the Celts left them alone because they thought that they were like men
stricken with nympholepsy. And the theatre seemed to the men in that
country highly ridiculous, just as it does to me; but whereas the Celts
were a few ridiculing many, I here along with a few others seem absurd in
every way to all of you.)
Public-domain text, read in full here on John Shaqi.
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