They are made after this manner: first you must look for flints and crystals not coloured, but very white, gathered out of sand or streams, which you must heat in a covered crucible, and quench them glowing hot in cold water, that they may crack and may be pulverised; otherwise they are so hard that when they are powdred, they take part of the morter and so are defiled; therefore it is worth your labor to handle them well. Afterward ℞ of flints prepared, and the purest salt of Tartar, made in glased vessels, but not in copper or iron, equal parts, mingle them and keep them for use. And if thou wilt make this mass into a gem, you must first mingle some colour (what you desire) afterward so long place it (being put into a clean covered crucible scarce half full) in a very strong fire, till all the salt of Tartar hath evaporated, and the flint together with the colour come into substance fusible like glass: you must then put a small clean iron wier, and draw out a little of the melted mass for tryal; whether it have stood long enough in the fire, whether there be yet pustles and little sands, or whether it being exactly melted, it shall descend to the bottom, which done, you must take off the crucible, and place it under some hot iron or earthen vessel, that it may wax cold with the melted stone; otherwise the mass will be broken in the crucible into very small parts, and would be unfit for greater works: neither must you pour out the melted mass for fear of the attraction of aire, and pustles to arise thence. But being willing to make out of the Mass by Fusion, not Engraving Money or Images; there is no need to leave the mass in the crucible to cool, but presently to pour it out hot in a copper morter, and nothing will stick to the crucible, but all the mass will be poured out without any waste: And this mass, if thou wilt, thou maist powder or break into very small bits for fusion and impression. But the mass when cooled in the crucible, is to be taken by breaking the crucible, and to be reduced into greater or lesser stones by cutting: but melting for money or images; you must place the money or image, which you will imitate, with the backside or hinder-part downward in an iron Ring, a Fingers breadth broad of greater capacity than the money, upon a stone or plain wood, and sprinkle on a little Tripoly, or fine Sand, through a cloth, namely, as much as sufficeth to cover the mold, and upon this to put more, well moistened with water, like ashes of cupels, and to press it, being most tenacious, firmly to the mold, but warily, lest the mold be moved; which done, you must turn the ring, and with a knife lift up the mold, and to take it, being lifted up with ones hands or tongs, the image being left in the sand, to be dryed by heat of the Sun or Fire. Afterward to cast the image, place the ring with the image impressed in the sand under a tile, and administer a strong fire, that the whole