The Works of the Right Honourable Edmund Burke, Vol. 01 (of 12)Burke, Edmund
Philosophy
The Works of the Right Honourable Edmund Burke, Vol. 01 (of 12)
Burke, Edmund
Great Britain -- Politics and government -- 1760-1820; Political science -- Early works to 1800
view of a beautiful object, will perceive a very striking analogy in the
effects of both; and which may go a good way towards discovering their
common cause. Feeling and sight, in this respect, differ in but a few
points. The touch takes in the pleasure of softness, which is not
primarily an object of sight; the sight, on the other hand, comprehends
color, which can hardly he made perceptible to the touch: the touch,
again, has the advantage in a new idea of pleasure resulting from a
moderate degree of warmth; but the eye triumphs in the infinite extent
and multiplicity of its objects. But there is such a similitude in the
pleasures of these senses, that I am apt to fancy, if it were possible
that one might discern color by feeling (as it is said some blind men
have done) that the same colors, and the same disposition of coloring,
which are found beautiful to the sight, would be found likewise most
grateful to the touch. But, setting aside conjectures, let us pass to
the other sense; of hearing.
SECTION XXV.
THE BEAUTIFUL IN SOUNDS.
In this sense we find an equal aptitude to be affected in a soft and
delicate manner; and how far sweet or beautiful sounds agree with our
descriptions of beauty in other senses, the experience of every one must
decide. Milton has described this species of music in one of his
juvenile poems.[27] I need not say that Milton was perfectly well versed
in that art; and that no man had a finer ear, with a happier manner of
expressing the affections of one sense by metaphors taken from another.
The description is as follows:--
"And ever against eating cares,
Lap me in _soft_ Lydian airs;
In notes with many a _winding_ bout
Of _linked sweetness long drawn_ out;
With wanton heed, and giddy cunning,
The _melting_ voice through _mazes_ running;
_Untwisting_ all the chains that tie
The hidden soul of harmony."
Let us parallel this with the softness, the winding surface, the
unbroken continuance, the easy gradation of the beautiful in other
things; and all the diversities of the several senses, with all their
several affections, will rather help to throw lights from one another to
finish one clear, consistent idea of the whole, than to obscure it by
their intricacy and variety.
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