In truth, this Declaration, containing a narrative of the first transaction of the kind (and I hope it will be the last) in the intercourse of nations, as a composition, is ably drawn. It does credit to our official style. The report of the speech of the minister in a great assembly, which I have read, is a comment upon the Declaration. Without inquiry how far that report is exact, (inferior I believe it may be to what it would represent,) yet still it reads as a most eloquent and finished performance. Hardly one galling circumstance of the indignities offered by the Directory of Regicide to the supplications made to that junto in his Majesty's name has been spared. Every one of the aggravations attendant on these acts of outrage is, with wonderful perspicuity and order, brought forward in its place, and in the manner most fitted to produce its effect. They are turned to every point of view in which they can be seen to the best advantage. All the parts are so arranged as to point out their relation, and to furnish a true idea of the spirit of the whole transaction. This speech may stand for a model. Never, for the triumphal decoration of any theatre, not for the decoration of those of Athens and Rome, or even of this theatre of Paris, from the embroideries of Babylon or from the loom of the Gobelins, has there been sent any historic tissue so truly drawn, so closely and so finely wrought, or in which the forms are brought out in the rich purple of such glowing and blushing colors. It puts me in mind of the piece of tapestry with which Virgil proposed to adorn the theatre he was to erect to Augustus upon the banks of the Mincio, who now hides his head in his reeds, and leads his slow and melancholy windings through banks wasted by the barbarians of Gaul. He supposes that the artifice is such, that the figures of the conquered nations in his tapestry are made to play their part, and are confounded in the machine,-- utque Purpurea intexti tollant aulæa Britanni; or, as Dryden translates it, somewhat paraphrastically, but not less in the spirit of the prophet than of the poet,-- "Where the proud theatres disclose the scene, Which interwoven Britons seem to raise, And show the triumph which their shame displays." It is something wonderful, that the sagacity shown in the Declaration and the speech (and, so far as it goes, greater was never shown) should have failed to discover to the writer and to the speaker the inseparable relation between the parties to this transaction, and that nothing can be said to display the imperious arrogance of a base enemy which does not describe with equal force and equal truth the contemptible figure of an abject embassy to that imperious power.