The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
“I hope you’ll excuse, but I can’t ride forrards neither.”
“The air’s what you wan’t Ma’am,” said a stout gentleman in the corner.
“Yes, I think that _would_ revive me,” said the female, with what the
musicians call a veiled voice, through her handkerchief.
“Let the lady out!” squealed a little man, who sat on her left,
whilst a stout gentleman on her right, after looking in vain for a
check-string, gave a pull at the corner of the skirt of a great-coat
that hung over the window, almost pulling the owner off the roof. The
Chronometer stopped.
“It’s the lady,” said the little man to the coachman, as the latter
appeared at the door; “she wants to be inside out.”
“It’s as the gentleman says,” added the female; “I an’t quite myself,
but I don’t want to affect the fare. You shan’t be any loser, for I’ll
discharge in full.”
“There’s the whole dicky to yourself, Ma’am,” said the coachman, with
something like a wink, and after some scuffling and scrambling, we felt
her seating herself on the “backgammon board” as if she never meant to
be taken up.
“It seems ungallant,” said the little man, as we got into motion again;
“but I think women oughtn’t to travel, particularly in what are called
short stages, for they’re certain to make them long ones. First of all,
they have been told to make sure of the right coach, and they spell it
all over, from ‘Horne and Co.’ and ‘licensed to carry,’ to No. nine
thousand, fourteen hundred and nine. Then they never believe the cads.
If one cries ‘Hackney,’ they say ‘that means Camberwell, and I’ve had
enough of getting into wrong stages.’ Then they have to ascertain it’s
the first coach, and when it will start exactly, and when they’re
sure of both points, they’re to be hunted for in a pastry-cook’s
shop, and out of that into a fruiterer’s. At last you think you have
’em--but no such thing. All the luggage is to be put in under their
own eyes--there’s a wrangle, of course, about that,--and when they’re
all ready, with one foot on the step, they’ve been told to make their
bargain with the coachman before they get in.”
“My own mother to a T,” exclaimed the fat man; “she agreed with a
fly-man, at Brighton, to convey her to the Devil’s Dyke for twelve
shillings; but when it came to setting off, she couldn’t resist the
spirit of haggling. Says she, ‘What’ll you take me to the Devil for,
without the Dyke?’”
A loud scream interrupted any further illustration of female
travelling, and again the Chronometer stopped, losing at the rate of
ten miles in the hour. We all had a shrewd guess at the cause, but
the little man nevertheless thought proper to pop his little head out
of the window, and enquire with a big voice “What the plague we were
stopping for?”
“It’s the _lady_ agin, Sir,” said the coachman, in a dissatisfied tone.
“She says the dicky shakes so, she’s sure it will come off: but it’s
all right now--I’ve got her in front.”
Public-domain text, read in full here on John Shaqi.
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