The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
It was time to appeal to my resources. I had read somewhere of an
Italian, who, by dint of mental abstraction, had rendered himself
unconscious of the rack, and while the executioners were tugging,
wrenching, twisting, dislocating, and breaking joints, sinews, and
bones, was perchance in fancy only performing his diurnal Gymnastics,
or undergoing an amicable Shampooing. The pillory was a milder
instrument than the rack, and I had naturally a lively imagination; it
seemed plausible, therefore, that I might make shift to be pelted in my
absence. To attain a scene as remote as possible from pain, I selected
one of absolute pleasure for the experiment; no other, in truth, than
that Persian Paradise, the Garden of Gul, at the Feast of Roses.
Flapping the wings of Fancy with all my might, I was speedily in those
Bowers of Bliss, and at high romps with Houri and Peri,--
“Flinging roses at each other.”
But, alas, for mental abstraction! The very first bud hit me with
stone-like vehemence; my next rose, of the cabbage kind, breathed only
a rank cabbage fragrance; and in another moment the claws of a flying
cat scratched me back into myself; and there I was again, in full pelt
in the pillory!
My first fifteen minutes, the only quarter I met with, had now elapsed,
and my face was turned towards the East. The first object my one eye
fell upon was a heap of Macadamisation, and I confess I never thought
of calculating the number of stones in such a hillock, till I saw the
mob preparing to cast them up!
I expected to be lithographed on the spot! Instinct suggested to me
that the only way to save my life was by dying; so dropping my head and
hands, and closing my last eye with a terrific groan, I expired for
the present. The _ruse_ took effect. Supposing me to be defunct, the
mob refused to kill me. Shouts of “Murder! Shame! Shame! No Pillory!”
burst from all quarters. The Pipkin-monger abused the Fishwoman, who
rated the Schoolboys; they in turn fell foul of the Costermonger,
who was hissing and groaning at the whole assembly; and, finally,
a philanthropic Constable took the whole group into custody. In the
mean time I was taken down, laid with a sack over me in a cart, and
driven off to a Hospital, my body seeming a very proper present to
St. Bartholomew’s or St. Thomas’s, but my clothes fit for nothing but
_Guy’s_.
[Illustration: A “CONSTABLE’S MISCELLANY.”]
[Illustration: MOVING IN THE FIRST CIRCLES.]
A SINGULAR EXHIBITION AT SOMERSET HOUSE.
“Our Crummie is a dainty cow.”--SCOTCH SONG.
Public-domain text, read in full here on John Shaqi.
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