The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
He pretends to be knowing, but a dog leads him by the
nose. He is as honest a fellow as need be, yet his neck is oftener
in danger than a thief’s. He swears he can clear anything, but is
beaten by a fog. He is no landlord of houses, but is particular about
fixtures. He studies “Summering the Hunter,” but goes Huntering in
the Winter. He esteems himself prosperous, and is always going to the
dogs. He delights in the Hunter’s Stakes, but takes care not to stake
his hunter. He praises discretion, but would rather let the cat out of
the bag than a fox. He does not shine at a human conversazione, but is
great among dogs giving tongue. To conclude, he runs as long as he can,
and then goes to earth, and his Heir is in at his death. But his Heir
does not stand in his shoes, for he never wore anything but boots.
[Illustration: “STAND AND DELIVER.”]
[Illustration: FANCY PORTRAIT--“I’D BE A BUTTERFLY.”]
BAILEY BALLADS.
To anticipate mistake, the above title refers not to Thomas Haynes--or
F. W. N.--or even any Publishers--but the original old Bailey. It
belongs to a set of Songs composed during the courtly leisure of what
is technically called a Juryman in Waiting--that is, one of a _corps
de reserve_, held in readiness to fill up the gaps which extraordinary
mental exertion--or sedentary habits--or starvation, may make in the
Council of Twelve. This wrong box it was once my fortune to get into.
On the 5th of November, at the 6th hour, leaving my bed, and the
luxurious perusal of Taylor on Early Rising--I walked from a yellow fog
into a black one, in my unwilling way to the New Court, which sweet
herbs even could not sweeten, for the sole purpose of making criminals
uncomfortable. A neighbour, a retired sea Captain with a wooden leg,
now literally a jury-mast, limped with me from Highbury Terrace on the
same hanging errand--a personified Halter. Our legal drill Corporal
was Serjeant Arabin, and when our muster roll without butter was over,
before breakfast, the uninitiated can form no idea of the ludicrousness
of the excuses of the would-be Nonjurors,--aggravated by the solemnity
of a previous oath, the delivery from a witness-box like a pulpit, and
the professional gravity of the Court. One weakly old gentleman had
been ordered by his physician to eat little, but often, and apprehended
even fatal consequences from being locked up with an obstinate eleven;
another conscientious demurrer desired time to make himself master
of his duties, by consulting Jonathan Wild, Vidocq, Hardy Vaux, and
Lazarillo de Tormes. But the number of deaf men who objected the
hardness of their hearing criminal cases was beyond belief. The
Publishers of “Curtis on the Ear” and “Wright on the Ear”--(two popular
surgical works, though rather suggestive of Pugilism)--ought to have
stentorian agents in that Court. Defective on one side myself, I was
literally ashamed to strike up singly in such a chorus of muffled
Public-domain text, read in full here on John Shaqi.
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