The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
General
The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
As the editors of magazines and annuals (save one) well know, the truly
poetical contributions which can be inserted, are not those which
come post free, in rose-coloured tinted paper, scented with musk, and
sealed with fancy wax. The real article arrives by post, unpaid, sealed
with rosin, or possibly with a dab of pitch or cobbler’s wax, bearing
the impression of a halfpenny, or more frequently of a button,--the
paper is dingy, and scant--the hand-writing has evidently come to
the author by nature--there are trips in the spelling, and Priscian
is a little scratch’d or so--but a rill of the true Castalian runs
through the whole composition, though its fountain-head was a broken
tea-cup, instead of a silver standish. A few years ago I used to be
favoured with numerous poems for insertion, which bore the signature
of Fitz-Norman; the crest on the seal had probably descended from the
Conquest, and the packets were invariably delivered by a Patagonian
footman in green and gold. The author was evidently rich, and the
verses were as palpably poor; they were declined, with the usual
answer to correspondents who do not answer, and the communications
ceased--as I thought for ever, but I was deceived; a few days back one
of the dirtiest and raggedest of street urchins delivered a soiled
whity brown packet, closed with a wafer, which bore the impress of a
thimble. The paper had more the odour of tobacco than of rose leaves,
and the writing appeared to have been perpetrated with a skewer dipped
in coffee-grounds; but the old signature of Fitz-Norman had the honour
to be my “very humble servant” at the foot of the letter. It was
too certain that he had fallen from affluence to indigence, but the
adversity which had wrought such a change upon the writing implements,
had, as usual, improved his poetry. The neat crowquill never traced on
the superfine Bath paper any thing so unaffected as the following:--
[Illustration: “YOUR VERY HUMBLE SERVANT.”]
STANZAS.
WRITTEN UNDER THE FEAR OF BAILIFFS.
Alas! of all the noxious things
That wait upon the poor,
Most cruel is that Felon-Fear
That haunts the “Debtor’s Door!”
Saint Sepulchre’s begins to toil,
The Sheriffs seek the cell:--
So I expect their officers,
And tremble at the bell!
I look for _beer_, and yet I quake
With fright at every _tap_;
And dread a _double-knock_, for oh!
I’ve not a _single rap_!
SONNET.
WRITTEN IN A WORKHOUSE.
Public-domain text, read in full here on John Shaqi.
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