The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
The speakers were close under the bow-window of the inn, and as
the sash was open, Curiosity herself could not help overhearing
their conversation. So I laid down Mrs. Opie’s “Illustrations of
Lying,”--which I had found lying in the inn window--and took a glance
at the partners in the dialogue.
One of them was much older than the other, and much taller; he seemed
to have grown like quick-set. The other was thick-set.
“I tell you, Thomas,” said Quickset, “you are a flat. Before you’ve
been a day in London, they’ll have the teeth out of your very head. As
for me, I’ve been there twice, and know what’s what. Take my advice:
never tell the truth on no account. Questions is only asked by way of
pumping; and you ought always to put ’em on a wrong scent.”
“But aunt is to send her man to meet me at the Old Bailey,” said
Thickset, “and to show me to her house. Now if a strange man says to
me, ‘young man, are you Jacob Giles,’--an’t I to tell him?”
“By no manner of means,” answered Quickset; “say you are quite another
man. No one but a flat would tell his name to a stranger about London.
You see how I answered them last night about what was in the waggon.
Brooms, says I, nothing else. A flat would have told them there was the
honey-pots underneath; but I’ve been to London before, and know a thing
or two.”
“London must be a desperate place,” said Thickset.
“Mortal!” said Quickset, “fobs and pockets are nothing! Your watch is
hardly safe if you carried it in your inside, and as for money----”
“I’m almost sorry I left Berkshire,” said Thickset.
“Poo--poo,” said Quickset, “don’t be afeard. I’ll look after ye; cheat
me, and they’ve only one more to cheat. Only mind my advice. Don’t say
anything of your own head, and don’t object to anything _I_ say. If I
say black’s white, don’t contradict. Mark that. Say everything as I
say.”
“I understand what you mean,” said Thickset; and with this lesson in
his shock head, he began to busy himself about the waggon, while his
comrade went to the stable for the horses. At last Old Ball emerged
from the stable-door with the head of Old Dumpling resting on his
crupper; when a yell rose from the rear of the waggon, that startled
even Number 55, at the Bush Inn, at Staines, and brought the company
running from the remotest box in its retired tea-garden.
[Illustration: A TEA GARDEN.]
“In the name of everything,” said the landlord, “what’s the matter?”
“It’s gone--all gone, by goles!” cried Thickset, with a bewildered look
at Quickset, as if doubtful whether he ought not to have said it was
_not_ gone.
“You don’t mean to say the honey-pots!” said Quickset, with some
alarm, and letting go the bridle of Old Ball, who very quietly led
old Dumpling back again into the stable; “you don’t mean to say the
honey-pots?”
“I _don’t_ mean to say the honey-pots,” said Thickset, literally
following the instructions he had received.
“What made you screech out then?” said Quickset, appealing to Thickset.
Public-domain text, read in full here on John Shaqi.
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