The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 01 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
There has been lately a good deal of speculation as to the ownership
of a certain poem; but I feel assured that my Step-father was the
practical author of the “Devil’s Walk.” The March of Mind might
possibly have kept up with him, but no March of body could do it; least
of all, such a body as mine, naturally heavy, and furnished with a pair
of lower limbs, very different from those of the son of Scriblerus,
who made his legs his compasses for measuring islands and continents.
Strain them as I would in pursuit of my Step-father, I seemed to
take nothing by my motion; those hopeless coat-flaps were always in
front; like Doctor Johnson’s great Shakspeare, with little Time at his
heels, I panted after him in vain. The pace, as the jockeys say, was
severe. It was literally a flight of steps, for he seemed to fly; if
any gentleman could be in two places at once, like a bird, that man
was my Step-father, or rather Fore-father, for he was always in front.
His stride was that of the Colossus of Rhodes; like Robinson Crusoe,
you could discern one foot-print in the sand, but the other was beyond
discovery. My infatuated mother was nevertheless continually holding
him out to me as an example, and recommending me to “tread in his
steps!”--I wish I had been able! When his friends, or creditors, have
been informed at the door, that he “had just stept out,” how little did
they dream that it meant he was a mile off!
It was his pleasure, whenever my Step-father walked, that I should
accompany him; such accompaniment as flute adagio is sometimes heard
to give to piano prestissimo. He seemed to pride himself, like some
pompous people, in constantly having a poor foot-boy trotting it his
heels: often did I beg to be left at home; often, but vainly, address
him in the language of old Capulet’s domestic--“Good thou, save me a
piece of _march-pane_.” The descriptive phrase of “rocky fastnesses,”
was but too typical of his speed and temper; he had no more pity for
me, than the great striding Ogre, in the Seven-leagued Boots, for
little Hop-o’-my-Thumb.
Public-domain text, read in full here on John Shaqi.
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