The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
MY first acquaintance with the press--a memorable event in an author’s
experience--took place in Scotland. Amongst the temporary sojourners
at our boarding-house, there came a legal antiquarian who had been
sent for from Edinburgh, expressly to make some unprofitable researches
amongst the mustiest of the civic records. It was my humour to think,
that in Political as well as Domestic Economy, it must be better to
sweep the Present than to dust the Past; and certain new brooms were
recommended to the Town Council in a quizzing letter, which the then
editor of the Dundee Advertiser or Chronicle, thought fit to favour
with a prominent place in his columns. “’Tis pleasant sure,” sings
Lord Byron, “to see one’s self in print,” and according to the popular
notion I ought to have been quite up in my stirrups, if not standing
on the saddle, at thus seeing myself, for the first strange time, set
up in type. Memory recalls, however, but a very moderate share of
exaltation, which was totally eclipsed, moreover, by the exuberant
transports of an accessory before the fact, whom, methinks, I still
see in my mind’s eye, rushing out of the printing-office with the wet
sheet steaming in his hand, and fluttering all along the High Street,
to announce breathlessly that “we were in.” But G. was an indifferent
scholar, even in English, and therefore thought the more highly of
this literary feat. It was this defective education, and the want of
a proper vent for his abundant love nonsense in prose or verse, that
probably led to the wound he subsequently inflicted on his own throat,
but which was luckily remedied by “a stitch in time.” The failure of
a tragedy is very apt to produce something like a comedy, and few
afterpieces have amused me more than the behaviour of this Amicus
Redivivus, when, thus dramatising the saying of “cut and come again,”
he made what ought to have been a posthumous appearance amongst his
friends. In fact, and he was ludicrously alive to it, he had placed
himself for all his supplementary days in a false position. Like the
old man in the fable, after formally calling upon Death to execute
a general release, he had quietly resumed his fardel, which he bore
about, with exactly the uneasy ridiculous air of a fine-would be
gentleman, who is sensitively conscious that he is carrying a bundle.
For the sake of our native sentimentalists who profess dying for love,
as well as the foreign romanticists who affect a love for dying, it may
not be amiss to give a slight sketch of the bearing of a traveller who
had gone through half the journey. I had been absent some months, and
was consequently ignorant of the affair, when lo! on my return to the
town, the very first person who accosted me in the market-place was our
felo-de-se; and truly, no Bashful Man, “with all his blushing honours
thick upon him,” in the presence of a damp stranger, could have been
more divertingly sheepish, and awkwardly backward in coming forward
as to manner and address.
Public-domain text, read in full here on John Shaqi.
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