The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
happily relaxed the primitive rigour of that proscription. Besides,
it was well known, between Friends, that several of the younger
female members, the fair secretary included, occasionally struck, or
rather, as Quakers ought not to strike anything, twanged the lyre.
For the rest, the society was modelled after other private literary
associations; it was to meet twice weekly, visiting the houses of the
members in rotation, when original essays or papers were to be read,
and afterwards discussed; provided always, that they afforded any
Debateable Land to make a stand upon, seeing that at the end of the
rules and regulations, a special article earnestly recommended, that in
the selection of subjects all such topics should be avoided “as might
lead to differences of opinion amongst the brethren.”
Such was--for it is defunct--the Tottenham Friends’ Conversazione; of
whose existence I became aware but by accident. It was my good fortune,
till lately, to live next door to a family of Quakers, and to make
acquaintance with the eldest daughter, a young lively maiden just
wearing out the last of her teens. I am afraid in the austere brown
eyes of her parents she was not strictly considered as the flower of
their flock, being a sort of nonconformist among nonconformists, as
was especially to be seen in comparing her with her younger sisters,
who seemed to have been brought up, or stuck up, under the most
starched discipline. Instead of their plain close caps,--mere casts of
their skulls taken in muslin,--she wore an airy fanciful structure of
blonde and white ribbon, that a Parisian woman might have put on--at
least of a morning. In lieu of their sleek mohair braids, her auburn
ringlets flowed down her neck in all the “Unloveliness of Love-locks.”
To her star-like hazel eyes she allowed a little planetary liberty
of circulation; whereas it seemed the object of the others, to keep
their demure brown orbs as immoveable in their faces, as bad halfpence
nailed to counters. Instead of screwing up her lips, as if she had
just come, minus a masticator, out of Cartwright’s into an east wind,
she sometimes gave her ivory teeth an airing, by smiling at some
innocent fancy, to which she would give utterance, without trying
to send her clear sweet voice, by a New North-West Passage, through
her nose. As for her figure, it was none of those shapes which have
no shape, and may be swaddled up without detriment in dingy drabs,
olives, slates, and snuffy browns,--shapes which nature makes on her
basin-pudding days, instead of using her best jelly-moulds--shapes
like the bonnet-shapes which balance baskets of live mackerel. To
see the symmetrical Rachel standing near either of her sisters, you
would think you beheld (borrowing a local image) Tottenham High Cross,
beside the Waithman Obelisk. Accordingly, the orthodox warp of her
glossy satin was always _shot_ with a woof of some one of those gayer
prismatic tints, to wear which is reckoned, among the severer Foxites,
Public-domain text, read in full here on John Shaqi.
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