The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
It is pleasant after a match at Chess, particularly if we have won,
to try back, and reconsider those important moves which have had a
decisive influence on the result. It is still more interesting, in the
game of Life, to recall the critical positions which have occurred
during its progress, and review the false or judicious steps that have
led to our subsequent good or ill fortune. There is, however, this
difference, that chess is a matter of pure skill and calculation,
whereas, the chequered board of human life is subject to the caprice
of Chance--the event being sometimes determined by combinations which
never entered into the mind of the player[4]. To such an accident it
is perhaps attributable that the hand now tracing these reminiscences
is holding a pen instead of an etching-point; jotting down these prose
pleasures of memory, in lieu of furnishing articles “plated-on-steel,”
for the pictorial periodicals.
It will be remembered that my mental constitution, however weak my
physical one, was proof against that type-us fever which parches most
scribblers till they are set up, done up, and may-be, cut-up, in print
and boards. Perhaps I had read, and trembled at the melancholy annals
of those unfortunates who, rashly undertaking to write for bread,
had poisoned themselves, like Chatterton, for want of it, or choked
themselves, like Otway, on obtaining it. Possibly, having learned to
think humbly of myself--there is nothing like early sickness and sorrow
for “taking the conceit” out of one--my vanity did not presume to
think, with certain juvenile Tracticians, that I “had a call” to hold
forth in print for the edification of mankind. Perchance, the very
deep reverence my reading had led me to entertain for our Bards and
Sages, deterred me from thrusting myself into the fellowship of Beings
that seemed only a little lower than the angels. However, in spite of
that very common excuse for publication, “the advice of a friend,”
who seriously recommended the submitting of my MSS. to a literary
authority, with a view to his imprimatur, my slight acquaintance with
the press was pushed no farther. On the contrary, I had selected a
branch of the Fine Arts for my serious pursuit. Prudence, the daughter
of Wisdom, whispering perhaps, that the engraver, Pye, had a better
chance of a beefsteak inside, than Pye the Laureate; not that the
verse-spinning was quite given up. Though working in _aqua fortis_,
I still played with Castaly, now writing--all monkeys are imitators,
and all young authors are monkeys--now writing a Bandit, to match
the Corsair, and anon, hatching a Lalla Crow, by way of companion
to Lalla Rookh. Moreover, about this time, I became a member of a
private select Literary Society (alluded to at page 97 of the present
work) that “waited on Ladies and Gentlemen at their own houses.” Our
Minerva, allegorically speaking, was a motley personage, in blue
stockings, a flounced gown, Quaker cap, and kerchief, French flowers,
and a man’s hat.
Public-domain text, read in full here on John Shaqi.
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