The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original IllustrationsHood, Thomas
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The Works of Thomas Hood; Vol. 02 (of 11): Comic and Serious, in Prose and Verse, With All the Original Illustrations
Hood, Thomas
English poetry -- 19th century; English wit and humor; Humorous poetry, English
P.S. Since the foregoing, I have discussed the subject with a
neighbour, a Veterany Surgeon; and he says it is all very well for the
old men and women Physicians, but won’t go down with the Horse Doctors.
“However,” says he, “if you are bent on trying it, I will give you a
receipt. Take a two-year old full blood colt, half broke, or not broke
at all--if vicious, so much the better. Shoe him behind with a couple
of stout horse-shoe loadstones, and then stand convenient, and take
a tug or two at his tail, till you feel him begin to operate. That’s
Animal Magnetism, and will do you quite as much good or harm as the
other new kick, and save you all the fees besides.”
[Illustration: SOMNAMBULISM.]
[Illustration: A MAIDEN ASSLEP.]
THE FORLORN SHEPHERD’S COMPLAINT.
AN UNPUBLISHED POEM, FROM SIDNEY.
IT may be necessary to bespeak the indulgent consideration of the
reader, for the appearance of the following Curiosity in such a work.
The truth is, the pages of the Comic Annual naturally present to me
the most obvious means of making the Poem known; betides, as it were,
offering personal security for my own belief in its authenticity.
And, considering my literary credit as so pledged, I do not hesitate
to affirm that I think the effusion in question may confidently be
referred to Sidney: and even--on the internal evidence of its pastoral
character--to the Arcadia. The verses have never till now appeared in
print. The lover of Old English Poetry would vainly hunt for it in any
edition extant of the works of Sir Philip; and, probably, the family
records and remains at Penshurst might be searched to as little purpose
for a copy in MS. From the extreme quaintness of the original, which
would have required the help of a glossary to render it generally
intelligible, I have thought it advisable to translate many of the
phrases into more current language; but scrupulously preserving the
_sense_ of the text. Enough of the peculiar style, however, still
remains, to aid in forming a judgment of the author’s æra. As for the
apparent incongruity of the double vocation ascribed to the tuneful
Swain in the Poem, besides abundant classical evidence that the
Corydons of ancient times were often, also, heroes, or warriors, or
adventurers, we have the positive contemporary testimony of modern
travellers, that in those very pastures where the scene is laid, it
is at this day the practice to entrust the charge of the flocks to
personages who have formerly been engaged in the same perilous career
as the “Forlorn Shepherd.” His lament, it will be seen, is full of
regrets and stealing tears for the stirring times of Auld Lang Syne.
THE FORLORN SHEPHERD’S COMPLAINT.
“Vell! Here I am--no Matter how it suits,
A-keeping Company with them dumb Brutes,
Old Park vos no bad Judge--confound his vig!
Of vot vood break the Sperrit of a Prig!
Public-domain text, read in full here on John Shaqi.
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