The Works of William Shakespeare [Cambridge Edition] [Vol. 2 of 9]Shakespeare, William
General
The Works of William Shakespeare [Cambridge Edition] [Vol. 2 of 9]
Shakespeare, William
English drama
139: _friends_] Qq. _merit_ Ff. _men_ Collier MS.
140: _eyes_] Qq. _eie_ F1. _eye_ F2 F3 F4.
143: _momentany_] Qq. _momentary_ Ff.
146: _spleen_] _shene_ Becket conj.
148: _do_] _to_ F3 F4.
154: _due_] _dewe_ Q1.
159: _remote_] Qq. _remov’d_ Ff.
167: _observance to a_] Qq. _observance for a_ Ff. _observance to
the_ Pope.
168–178: Her. _My good......with thee_] Her. _My good Lysander!_
Lys. _I swear...spoke._ Her. _In that...with thee_ Warburton.
172: _loves_] Q1. _love_ Q2 Ff.
180: SCENE III. Pope.
182: _your fair_] Qq. _you fair_ Ff. _you, fair_ Rowe (ed. 2).
186: _so_] Qq Ff. _so!_ Theobald.
187: _Yours would I_] Hanmer. _Your words I_ Qq F1. _Your words
Ide_ F2 F3 F4.
191: _I’d_] Hanmer. _ile_ Q1. _Ile_ Q2 F1 F2. _I’le_ F3 F4.
200: _folly, Helena, is no fault_] Q1. _folly, Helena, is none_
Q2 Ff. _fault, Oh Helena, is none_ Hanmer. _fault, fair Helena, is
none_ Collier MS.
205: _as_] Q1. _like_ Q2 Ff.
206: _do_] _must_ Collier MS.
207: _unto a_] Q1. _into_ Q2 Ff.
213: _gates_] Qq F1 F2. _gate_ F3 F4.
216: _sweet_] Theobald. _sweld_ Qq Ff.
219: _stranger companies_] Theobald. _strange companions_ Qq Ff.
225: _dote_] Qq. _dotes_ Ff.
229: _do_] Qq. _doth_ Ff.
237: _haste_] _hast_ F4.
239: _he is so oft_] Q1 _he is oft_ Q2. _he is often_ F1. _he
often is_ F2 F3 F4.
240: _in game themselves_] _themselves in game_ F3 F4.
244: _this_] Q1 Ff. _his_ Q2.
245: _So_] _Lo,_ Capell.
248: _this_] Qq. _his_ Ff.
249: _a dear expense_] _dear recompense_ Collier MS.
~~~~~
SCENE II. _The same._ QUINCE’S _house_.
_Enter_ QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, _and_
STARVELING.
_Quin._ Is all our company here?
_Bot._ You were best to call them generally, man by
man, according to the scrip.
_Quin._ Here is the scroll of every man’s name, which is
thought fit, through all Athens, to play in our interlude before 5
fore the duke and the duchess, on his wedding-day at night.
_Bot._ First, good Peter Quince, say what the play treats
on; then read the names of the actors; and so grow to a
point.
_Quin._ Marry, our play is, The most lamentable comedy, 10
and most cruel death of Pyramus and Thisby.
_Bot._ A very good piece of work, I assure you, and a
merry. Now, good Peter Quince, call forth your actors by
the scroll. Masters, spread yourselves.
_Quin._ Answer as I call you. Nick Bottom, the weaver. 15
_Bot._ Ready. Name what part I am for, and proceed.
_Quin._ You, Nick Bottom, are set down for Pyramus.
_Bot._ What is Pyramus? a lover, or a tyrant?
_Quin._ A lover, that kills himself most gallant for love.
_Bot._ That will ask some tears in the true performing of 20
it: if I do it, let the audience look to their eyes; I will move
storms, I will condole in some measure. To the rest: yet
my chief humour is for a tyrant: I could play Ercles rarely,
or a part to tear a cat in, to make all split.
Public-domain text, read in full here on John Shaqi.
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