[1562] _here_] _heare_ Q3 Q4. [1563] _that_] Q4 Q5. _thats_ Q2 Q3. _that's_ Ff. [1564] _Tybalt's_] _Taybalts_ F2. [1565] _mean_] _meane_ Q2. _meanes_ The rest. [1566] _writ_] _write_ Rowe (ed. 2). [1567] _as_] _at_ Keightley. [1568] _borrow'd_] Capell. _borrowed_ Qq Ff. [1569] _Return'd_] _Returned_ Q3 Q4. [1570] _hour_] F3 F4. _hower_ Q2 Q3. _houre_ The rest. _waking_] _awaking_ Rowe (ed. 2). [1571] _minute_] _minutes_ Hanmer. [1572] _awaking_] _awakening_ Q2. _a waking_ F2. [1573] _entreated her_] _intreat her to_ F4. [1574] _scare_] Qq F3 F4. _scarre_ F1 F2. [1575] _All this ... time_] Arranged as by Pope. Three lines, ending _privie: ... fault, ... time,_ in Qq Ff. [1576] _Her nurse_] _the nurse_ Q5. _and_] om. Rowe. _but_ Pope. [1577] _his_] Q2. _the_ The rest. _its_ Pope. [1578] _a_] _an_ F4. [1579] _in this_] (Q1) Capell. _to this_ Qq Ff. [1580] Bal.] Q5. Balth. Q2 Q3 Q4. Boy. Ff. Peter. Rowe. [1581] _place, to ... monument._] _place. To ... monument_ Q2 Q3 Q4. [1582] _in_] _to_ Pope. [1583] _left_] _leaft_ Q3. [1584] Page.] Ff. Boy. Qq. [1585] _brace_] _brase_ Q2 Q3 Q4. [1586] _raise_] _raie_ Q2 Q3. [1587] _whiles_] Qq Ff. _while_ Rowe. [1588] _such_] Q2. _that_ The rest. [1589] _true_] _fair_ Collier MS. [1590] _Romeo's ... lady's_] _Romeos ... Ladies_ Q2 Q3 Q4. _Romeo ... Lady_ (Q1) Ff. _Romeo's ... Ladies_ Q5. _Romeo's ... lady_ Theobald. [1591] _glooming_] _gloomie_ (Q1). _gloomy_ F4. _gloaming_ Taylor conj. MS. [1592] _pardon'd_] Ff. _pardoned_ Qq. [1593] [Exeunt.] Exeunt omnes. Ff. om. Qq. NOTES. NOTE I. I. 1. There is no division into Acts and Scenes in the Quartos, nor any trace of division in the Folios, except the 'Actus Primus, Scæna Prima' at the beginning of the play. We wish to remind our readers that the symbol Qq signifies the agreement of the second, third, fourth, and fifth Quartos. NOTE II. I. 2. 116. The first Quarto here has 'thrall,' the others 'debt,' which though it makes a rhyme does not improve the sense. The next two lines are not in the first Quarto. As, unlike the immediate context, they also rhyme, while they are not particularly forcible, we incline to think that some other hand than Shakespeare's inserted them. NOTE III. II. 1. 13. Pope was the first commentator who called attention to the ballad which is alluded to in this passage, and it is remarkable that with all his partiality for the first Quarto he did not adopt the reading 'trim,' found both there and in the ballad. Percy, in a note to the ballad printed in his _Reliques_, conjectured that Shakespeare had written 'trim,' not 'true,' apparently without knowing that the word was found in the first Quarto. Capell, in his note, says that he had retained 'true' in his text, owing to his not having observed the authority for the other reading. NOTE IV.