(though perhaps its source lies behind them), and throughout its course is covered by the anterior lobes of the brain, although always separated from them till, having extended quite out of the brain, it is spread out in the retina, upon which, on stimulation by light, the sensation first arises, and where it is really localised. This is shown in my essay upon sight and colour. This origin of the auditory nerve explains, then, the great disturbance which the power of thinking suffers from sound, on account of which thinking men, and in general all people of much intellect, are without exception absolutely incapable of enduring any noise. For it disturbs the constant stream of their thoughts, interrupts and paralyses their thinking, just because the vibration of the auditory nerve extends so deep into the brain, the whole mass of which feels the oscillations set up through this nerve, and vibrates along with them, and because the brains of such persons are more easily moved than those of ordinary men. On the same readiness to be set in motion, and capacity for transmission, which characterises their brains depends the fact that in the case of persons like these every thought calls forth so readily all those analogous or related to it whereby the similarities, analogies, and relations of things in general come so quickly and easily into their minds; that the same occasion which millions of ordinary minds have experienced before brings them to _the_ thought, to _the_ discovery, that other people are subsequently surprised they did not reach themselves, for they certainly can think afterwards, but they cannot think before. Thus the sun shone on all statues, but only the statue of Memnon gave forth a sound. For this reason Kant, Gœthe, and Jean Paul were highly sensitive to every noise, as their biographers bear witness.(13) Gœthe in his last years bought a house which had fallen into disrepair close to his own, simply in order that he might not have to endure the noise that would be made in repairing it. Thus it was in vain that in his youth he followed the drum in order to harden himself against noise. It is not a matter of custom. On the other hand, the truly stoical indifference to noise of ordinary minds is astonishing. No noise disturbs them in their thinking, reading, writing, or other occupations, while the finer mind is rendered quite incapable by it. But just that which makes them so insensible to noise of every kind makes them also insensible to the beautiful in plastic art, and to deep thought or fine expression in literary art; in short, to all that does not touch their personal interests. The following remark of Lichtenberg’s applies to the paralysing effect which noise has upon highly intellectual persons: “It is always a good sign when an artist can be hindered by trifles from exercising his art. F—— used to stick his fingers into sulphur if he wished to play the piano.... Such things do not interfere with the average mind;...