The effect of the ludicrous is here strong and inevitable, because under the conceptions through which Schiller presents to the mind a moral and noble relation, a forbidden and immoral relation is subsumed, and yet correctly and without change, thus is thought through it. In all the examples of wit given here we find that under a conception, or in general an abstract thought, a real thing is, directly, or by means of a narrower conception, subsumed, which indeed, strictly speaking, comes under it, and yet is as different as possible from the proper and original intention and tendency of the thought. Accordingly wit, as a mental capacity, consists entirely in a facility for finding for every object that appears a conception under which it certainly can be thought, though it is very different from all the other objects which come under this conception. The second species of the ludicrous follows, as we have mentioned, the opposite path from the abstract conception to the real or perceptible things thought through it. But this now brings to light any incongruity with the conception which was overlooked, and hence arises an absurdity, and therefore in the practical sphere a foolish action. Since the play requires action, this species of the ludicrous is essential to comedy. Upon this depends the observation of Voltaire: “_J’ai cru remarquer aux spectacles, qu’il ne s’élève presque jamais de ces éclats de rire universels, qu’à l’occasion d’une_ MÉPRISE” (_Preface de L’Enfant Prodigue_). The following may serve as examples of this species of the ludicrous. When some one had declared that he was fond of walking alone, an Austrian said to him: “You like walking alone; so do I: therefore we can go together.” He starts from the conception, “A pleasure which two love they can enjoy in common,” and subsumes under it the very case which excludes community. Further, the servant who rubbed a worn sealskin in his master’s box with Macassar oil, so that it might become covered with hair again; in doing which he started from the conception, “Macassar oil makes hair grow.” The soldiers in the guard-room who allowed a prisoner who was brought in to join in their game of cards, then quarrelled with him for cheating, and turned him out. They let themselves be led by the general conception, “Bad companions are turned out,” and forget that he is also a prisoner, _i.e._, one whom they ought to hold fast. Two young peasants had loaded their gun with coarse shot, which they wished to extract, in order to substitute fine, without losing the powder. So one of them put the mouth of the barrel in his hat, which he took between his legs, and said to the other: “Now you pull the trigger slowly, slowly, slowly; then the shot will come first.” He starts from the conception, “Prolonging the cause prolongs the effect.” Most of the actions of Don Quixote are also cases in point, for he subsumes the realities he encounters under