The World as Will and Idea (Vol. 2 of 3)Schopenhauer, Arthur
Philosophy
The World as Will and Idea (Vol. 2 of 3)
Schopenhauer, Arthur
Idea (Philosophy); Knowledge, Theory of; Philosophy; Will
(3.) The Idea of the first cause of the world would now quite properly
come under the title of _relation_; but Kant must reserve this for the
fourth title, that of _modality_, for which otherwise nothing would
remain, and under which he forces this idea to come by saying that the
contingent (_i.e._, according to his explanation, which is diametrically
opposed to the truth, every consequent of its reason) becomes the
necessary through the first cause. Therefore, for the sake of symmetry,
the conception of _freedom_ appears here as the third Idea. By this
conception, however, as is distinctly stated in the observations on the
thesis of the third conflict, what is really meant is only that Idea of
the cause of the world which alone is admissible here. The third and
fourth conflicts are at bottom tautological.
About all this, however, I find and assert that the whole antinomy is a
mere delusion, a sham fight. Only the assertions of the antitheses really
rest upon the forms of our faculty of knowledge, _i.e._, if we express it
objectively, on the necessary, _a priori_ certain, most universal laws of
nature. Their proofs alone are therefore drawn from objective grounds. On
the other hand, the assertions and proofs of the theses have no other than
a subjective ground, rest solely on the weakness of the reasoning
individual; for his imagination becomes tired with an endless regression,
and therefore he puts an end to it by arbitrary assumptions, which he
tries to smooth over as well as he can; and his judgment, moreover, is in
this case paralysed by early and deeply imprinted prejudices. On this
account the proof of the thesis in all the four conflicts is throughout a
mere sophism, while that of the antithesis is a necessary inference of the
reason from the laws of the world as idea known to us _a priori_. It is,
moreover, only with great pains and skill that Kant is able to sustain the
thesis, and make it appear to attack its opponent, which is endowed with
native power. Now in this regard his first and constant artifice is, that
he does not render prominent the _nervus argumentationis_, and thus
present it in as isolated, naked, and distinct a manner as he possibly
can; but rather introduces the same argument on both sides, concealed
under and mixed up with a mass of superfluous and prolix sentences.
Public-domain text, read in full here on John Shaqi.
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