Miss Chrysie had sung "The Old Folks at Home," and Adelaide one of the
old chansons which had delighted the Grand Monarque in the Trianon.
Then Sophie sat down at the piano, and the slow solemn strains of the
Russian National Hymn wailed up in majestic chords from the
instrument. There was something of defiance both in her touch and in
her voice, but international courtesies were respected, and everyone
in the room stood up. For Sophie Valdemar it was her swan-song--since
she was never to sing another--and she sang it splendidly, with her
whole soul in it. As the last line, "Give to us peace in our time, O
Lord," left her lips, Lord Orrel went to her side, and said:
"Thank you, countess. A splendid hymn splendidly sung!" And then he
turned to the French and Russian admirals, and said: "Gentlemen, is it
not possible for you to answer, as you could answer, that prayer for
peace? I can assure you, on my word of honour as an English gentleman,
that this building in which you are now is impregnable to all forms of
attack known to modern warfare. At a distance of five thousand miles
we have paralysed the fleets and armies of Europe. Your ships are less
than five miles from our walls: you are not courting defeat, you are
courting annihilation. Can you not leave us in peace?"
"I was under the impression, milord," said Admiral Nazanoff, "that
that subject was closed for the present. We have yet to be convinced
as to these terrible powers which you claim to possess: but our orders
are real, so too are our ships and guns; and since you have refused
the terms we have offered we have no alternative but to put these
boasted powers of yours to the test of war. I regret it most
exceedingly, as I am sure my colleague, Admiral Dumont, does also, but
that must be our last word."
The French admiral and Victor Fargeau both bowed assent as he spoke.
And Lord Orrel answered:
"Well, gentlemen, since you are resolved, so be it. We will not
discuss the matter further."
While he was speaking Lady Olive had gone to the piano, and, as he
ceased, the opening chords of "Auld Lang Syne," floated through the
room, and she began to sing the old Scotch song. The words had a
strangely satirical meaning for Count Valdemar and his daughter and
Adelaide, who had heard them several times at Orrel Court, and Lady
Olive put such expression into them that both Sophie and Adelaide felt
inclined to be a little ashamed of themselves. Then in the midst of
the song the clock began to chime twelve, and Lady Olive, with a frank
look of defiance in her eyes, switched off suddenly into "God Save the
King," and began to sing the opening lines. At the end of the first
verse she stopped and rose from the piano, and said to her father, who
had been looking a little uneasy, as though he thought it was hardly
good taste:
"I am very sorry, papa, if I have offended, but really I could not
help it; it seemed inevitable."
Public-domain text, read in full here on John Shaqi.
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