Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Novelists -- Fiction; Publishers and publishing -- Fiction
He was used to newspaper offices, and he was not surprised to find the
editorial force of the _Every Evening_ housed in a series of dens,
opening one beyond the other till the last, with the chief in it, looked
down on the street from which he climbed. He thought it all fit enough,
for the present; but, while he still dwelt in the future, and before the
office-boy had taken his letter from him to the chief, he swiftly flung
up a building for the _Every Evening_ as lofty and as ugly as any of the
many-storied towers that rose about the frantic neighborhood. He
blundered upon two other writers before he reached the chief; one of
them looked up from his desk, and roared at him in unintelligible
affliction; the other simply wagged his head, without lifting it, in the
direction of the final room, where Ray found himself sitting beside the
editor-in-chief, without well knowing how he got there. The editor did
not seem to know either, or to care that he was there, for some time; he
kept on looking at this thing and that thing on the table before him; at
everything but the letter Ray had sent in. When he did take that up he
did not look at Ray; and while he talked with him he scarcely glanced at
him; there were moments when he seemed to forget there was anybody
there; and Ray’s blood began to burn with a sense of personal indignity.
He wished to go away, and leave the editor to find him gone at his
leisure; but he felt bound to Mr. Brandreth, and he staid. At last the
editor took up a book from the litter of newspapers and manuscripts
before him, and said:
“What we want is a rapid and attractive _résumé_ of this book, with
particular reference to Coquelin and his place on the stage and in art.
No one else has the book yet, and we expect to use the article from it
in our Saturday edition. See what you can do with it, and bring it here
by ten to-morrow. You can run from one to two thousand words--not over
two.”
He handed Ray the book and turned so definitively to his papers and
letters again that Ray had no choice but to go. He left with the editor
a self-respectful parting salutation, which the editor evidently had no
use for, and no one showed a consciousness of him, not even the
office-boy, as he went out.
Public-domain text, read in full here on John Shaqi.
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