Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Novelists -- Fiction; Publishers and publishing -- Fiction
Peace halted a moment in her passing to and fro, and said, as if in
deprecation of any slight or censure that her sister’s words might seem
to imply: “He sees a great many discouraging things. They’re doing so
much now by process, and unless an engraver has a great deal of talent,
and can do the best kind of work, there’s very little work for him.
Ansel has seen so many of them lose their work by the new inventions.
What seems so bad to him is that these processes really make better
pictures than the common engravers can, and yet they make life worse. He
never did believe that an artist ought to get a living by his art.”
“Then I don’t see why he objects to the new processes,” said Ray, with
the heartlessness which so easily passes for wit. Peace looked at him
with grave surprise.
Mrs. Denton laughed over the cat which had got up in her lap. “That’s
what I tell him. But it doesn’t satisfy him.”
“You know,” said the younger sister, with a reproach in her tone, which
brought Ray sensibly under condemnation, too, “that he means that art
must be free before it can be true, and that there can be no freedom
where there is the fear of want.”
“Well,” said Mrs. Denton, turning her head for a new effect of the
sleeping cat, “there was no fear of want in the Family; but there
wasn’t much art, either.”
Ray was tempted to laugh, but he wanted above all to read his poem, and
to lead up to it without delay, and he denied himself the pleasure of a
giggle with Mrs. Denton. “I suppose,” he said, “the experiment of
emancipation is tried on too small a scale in a community.”
“That is what father thinks,” said Peace. “That is why he wants the
whole world to be free.”
“Yes,” said Ray, aware of a relenting in her towards himself; and he
added, with apparent inconsequence: “Perhaps it would help forward the
time for it if every artist could express his feeling about it, or
represent it somehow.”
“I don’t see exactly how they could in a picture or a statue,” said Mrs.
Denton.
“No,” Ray assented from the blind alley where he had unexpectedly
brought up. He broke desperately from it, and said, more toward Peace
than toward her sister, “I have been trying to turn my own little
disappointment into poetry. You know,” he added, “that Chapley & Co.
have declined my book?”
“Yes,” she admitted, with a kind of shyness.
“I wonder,” and here Ray took the manuscript out of his pocket, “whether
you would let me read you some passages of my poem.”
Mrs. Denton assented eagerly, and Peace less eagerly, but with an
interest that was enough for him. Before he began to read, Mrs. Denton
said a number of things that seemed suddenly to have accumulated in her
mind, mostly irrelevant; she excused herself for leaving the room, and
begged Ray to wait till she came back. Several times during the reading
she escaped and returned; the poet finished in one of her absences.
XXIV.
“You see,” Ray said, “it’s merely a fragment.” He wiped the perspiration
from his forehead.
Public-domain text, read in full here on John Shaqi.
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