The savage has gone beyond the infant in ability to assimilate the impressions of his own limbs, but on the psychic side he still constantly tends to objectify his own feelings and ideas, re-creating them as external beings. Primitive man has done so from the first, and this impulse has struck its roots into all our most fundamental human traditions even as they survive in civilisation to-day. The man of the early world moves, like the dreamer, among a sea of emotions and ideas which he cannot recognise the origin of, and, like the dreamer, he instinctively dramatises them. But, unlike the dreamer, he gives stability to the images he has thus created and in good faith mistaken for independent beings. Thus we have the animistic stages of culture, and early man peoples his world with gods and spirits and demons and fairies and ghosts which enter into the traditions of his race, and are more or less accepted even by a later race which no longer creates them for itself. In our more advanced civilisations we are still struggling with later forms of that Protean tendency to objectify the self and to animate the things and even the people around us with our own spirit. The impatient and imperfectly bred child, or even man, kicks viciously the object he stumbles against, animate or inanimate, in order to revenge a wrong which exists only in himself. On a slightly higher plane, the men of mediæval times brought actions in the law courts against offending animals and solemnly pronounced sentence against them as 'criminals,'[175] while even to-day society still 'punishes' the human criminal because it has imaginatively re-created him in the image of an ordinary normal person, and lacks the intelligence to perceive that he has been moulded by the laws of his nature and environment into a creature which we do well to protect ourselves against, but have no right to 'punish.'[176] Everywhere we still see around us the surviving relics of this primitive tendency of men to project their own personalities into external objects. A fine civilisation lies largely in the due subordination of this tendency, in the realisation and control of our own emotional possibilities, and in the resultant growth of personal responsibility. It is thus impossible to over-estimate the immense importance of the primitive symbolic tendency to objectify the subjective. Men have taken out of their own hearts their best feelings and their worst feelings, and have personalised and dramatised them, bowed down to them or stamped on them, unable to hear the voice with which each of their images spoke: 'I am thyself.' Our conceptions of religion, of morals, of many of the mightiest phenomena of life, especially the more exceptional phenomena, have grown up under this influence, which still serves to support many movements of to-day by some people imagined to be modern.