Science fiction, English -- History and criticism; Wells, H. G. (Herbert George), 1866-1946 -- Criticism and interpretation
For in his mind Americans can see themselves reflected in the light of
what they chiefly need, that synthetic motive without which a secular
and industrial race is as devoid of animating morality as a swarm of
flies. This want, most obvious on the political and economic plane, is
indeed fundamental. Wells has grasped it from many different angles but
never with more point than in his essay _The American Population_.
Consider this passage, where he takes as a text one of Arthur Brisbane's
editorials in the "New York Journal":
It is the voice of the American tradition strained to the
utmost to make itself audible to the new world, and cracking
into italics and breaking into capitals with the strain. The
rest of that enormous bale of paper is eloquent of a public
void of moral ambitions, lost to any sense of comprehensive
things, deaf to ideas, impervious to generalizations, a
public which has carried the conception of freedom to its
logical extreme of entire individual detachment. These
telltale columns deal all with personality and the drama of
personal life. They witness to no interest but the interest
in intense individual experiences. The engagements, the love
affairs, the scandals of conspicuous people are given in
pitiless detail in articles adorned with vigorous portraits
and sensational pictorial comments. Even the eavesdroppers
who write this stuff strike the personal note, and their
heavily muscular portraits frown beside the initial letter.
Murders and crimes are worked up to the keenest pitch of
realization, and any new indelicacy in fashionable costume,
any new medical device or cure, any new dance or
athleticism, any new breach in the moral code, any novelty
in sea-bathing or the woman's seat on horse-back, or the
like, is given copious and moving illustration, stirring
headlines, and eloquent reprobation. There is a colored
supplement of knock-about fun, written chiefly in the quaint
dialect of the New York slums. It is a language from which
"th" has vanished, and it presents a world in which the
kicking by a mule of an endless succession of victims is an
inexhaustible joy to young and old. "Dat ole Maud!" There is
a smaller bale dealing with sport. In the advertisement
columns one finds nothing of books, nothing of art; but
great choice of bust developers, hair restorers, nervous
tonics, clothing sales, self-contained flats, and business
opportunities....
Individuality has, in fact, got home to itself, and, as
people say, taken off its frills.... The "New York
American" represents a clientèle to be counted by the
hundred thousand, manifestly with no other solicitudes,
just burning to live and living to burn.
Public-domain text, read in full here on John Shaqi.
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