No doubt there was a great deal of rough work; though, as shall be shown, judging from the art of the Dipylon, the Attic colonists were highly civilised men, with large ships, and everything handsome about them, who could make well-organised short voyages, with abundance of stores. Nor, when they landed, were they, like the early Puritans of New England, in a country of naked savages. Lycians and Carians, in Homer, are as much civilised as the Achaeans: a Carian woman was not a bloodthirsty squaw. It is not to late legends, but to archaeology, that we must look for information: "on archaeology fell, and falls, the burden of proof in this inquiry."[7] First, as to the culture of the mainland which the colonists left; we do know through excavations at Sparta something about _Dorian_ civilisation there as early as the ninth century B.C., and it is probable that the Ionians in Europe were rather in advance of than behind the contemporary Dorians in the arts of life. The precinct of Artemis Orthia at Sparta has been excavated, and yields "remains of a temple in crude brick with wooden frame-work ... this structure the discoverers" (members of the British School of Athens) "refer to the ninth century B.C." A similar temple "has appeared also in Hellenic Asia, at Neandria in the Aeolic Troad." Near the Orthian temple was "a great Altar of Sacrifice, whose orientation was the same."[8] Homer's men, we saw, usually sacrifice hecatombs outside of the temple, though twelve kine are sacrificed _in_ the temple of the Trojan Athena. The votive objects found in this Spartan precinct of the ninth century were pottery in the Geometric, post-Aegean style, with ivory plaques, at least as large as an ordinary playing card, covering the safety pin of the _fibula_. The earliest designs incised on these plaques of ivory "repeat in more than one case Aegean motives" (such as the goddess holding a bird in each hand); the style is touched with Mesopotamian influences, but more deeply by the art of the Bronze Age in the area of the Danube. The "double coil" or "pair of spectacles" shape of fibula-cover, familiar in the Danubian region, also occurs.[9]