Civilization, Homeric; Epic poetry, Greek -- History and criticism; Homer; Homer -- Criticism and interpretation
All this matter is called "the saga" by the critics. As Homer comes at
the crowning period of epic poetry, as his instrument, the hexameter,
is delicately tempered by long processes, it seems probable that his
mind was full of ancient lays on legendary themes as well, probably,
as of _Märchen_ and traditions told orally in prose. These things are
to him what ballads and oral traditions were to Scott. Though he only
once, in a suspected passage, touches on the Choice of Paris (_Iliad_,
xxiv, 25-30), he must have known some tale which accounted for the
enmity of Hera to Ilios, and the hatred of Athene to the Asian city
of which she was patroness. Zeus himself (_Iliad_, iv. 31-33) seems
puzzled by the fury of Hera against Troy. _Quo numine laeso_? The cause
of wrath is, in fact, _spretae injuria formae_, the spite of neglected
beauty. No other reason (setting aside the favour of Ganymede, to whom
Homer only refers in the most casual way) has ever been given.
As to the Trojan affairs, Homer knows many things on which he only
touches briefly. It is clear that he knew a great saga about Trojan
legendary history; for example, about the wall built by the Trojans
and Pallas Athene to shelter Heracles when he fought a monster that
ravaged the land (_Iliad_, xx. 146). He also knows that Apollo was made
thrall to Laomedon, and built the city wall of Troy, but was defrauded
of his reward (xxi. 441-455). That Apollo and Poseidon therefore sent
the monster to which Hesione, daughter of Laomedon, was exposed, Homer
does not say; he commonly ignores the _märchenhaft_, the fairy-tale
points in a legend, but he knows that Heracles was also defrauded, and
avenged himself by sacking Ilios (v. 638641). Manifestly there was a
rich growth of _Märchen_ and legends clustered round Troy, and known to
the Achaeans; Homer merely alludes to it, and to events posterior to
the death of Hector.
He knows how Achilles fell in the Scaean gate, slain by Paris and
Apollo; he knows the Sack of Troy, the wooden horse; the Returns,
prosperous, troubled, or fatal, of the heroes; he knows Memnon's part
in the war, and the end of Aias; he knows that Philoctetes is to be
needed, and that Eurypylus fought and fell, and so forth. Concerning
some of these things he may have heard lays; others he may have learned
merely through oral tradition in prose.
Public-domain text, read in full here on John Shaqi.
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