The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856Morris, William
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The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856
Morris, William
Middle Ages -- Fiction; Tales
She answered no word, but shook her arm free from its broad sleeve, and
something glittered on it, near her wrist, something wrought out of
silver set with quaint and uncouthly-cut stones of little value.
* * * * *
In the council-chamber, among the lords, sat Svend with his six brethren;
he chief of all in the wielding of sword or axe, in the government of
people, in drawing the love of men and women to him; perfect in face and
body, in wisdom and strength was Svend: next to him sat Robert, cunning
in working of marble, or wood, or brass; all things could he make to look
as if they lived, from the sweep of an angel's wings down to the slipping
of a little field-mouse from under the sheaves in the harvest-time. Then
there was Harald, who knew concerning all the stars of heaven and flowers
of earth: Richard, who drew men's hearts from their bodies, with the
words that swung to and fro in his glorious rhymes: William, to whom the
air of heaven seemed a servant when the harp-strings quivered underneath
his fingers: there were the two sailor-brothers, who the year before,
young though they were, had come back from a long, perilous voyage, with
news of an island they had found long and long away to the west, larger
than any that this people knew of, but very fair and good, though
uninhabited.
But now over all this noble brotherhood, with its various gifts hung one
cloud of sorrow; their mother, the Peace-Queen Cissela was dead, she who
had taught them truth and nobleness so well; she was never to see the
beginning of the end that they would work; truly it seemed sad.
There sat the seven brothers in the council chamber, waiting for the
king, speaking no word, only thinking drearily; and under the pavement of
the great church Cissela lay, and by the side of her tomb stood two men,
old men both, Valdemar the king, and Siur.
So the king, after that he had gazed awhile on the carven face of her he
had loved well, said at last:
'And now, Sir Carver, must you carve me also to lie there.' And he
pointed to the vacant space by the side of the fair alabaster figure.
'O king,' said Siur, 'except for a very few strokes on steel, I have done
work now, having carved the queen there; I cannot do this thing for you.'
What was it sent a sharp pang of bitterest suspicion through the very
heart of the poor old man? he looked steadfastly at him for a moment or
two, as if he would know all secrets; he could not, he had not strength
of life enough to get to the bottom of things; doubt vanished soon from
his heart and his face under Siur's pitying gaze; he said, 'Then perhaps
I shall be my own statue,' and therewithal he sat down on the edge of the
low marble tomb, and laid his right arm across her breast; he fixed his
eyes on the eastern belt of windows, and sat quite motionless and silent;
and he never knew that she loved him not.
Public-domain text, read in full here on John Shaqi.
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