The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856Morris, William
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The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856
Morris, William
Middle Ages -- Fiction; Tales
But Siur, when he had gazed at him for awhile, stole away quietly, as we
do when we fear to waken a sleeper; and the king never turned his head,
but still sat there, never moving, scarce breathing, it seemed.
Siur stood in his own great hall (for his house was large), he stood
before the dais, and saw a fair sight, the work of his own hands.
For, fronting him, against the wall were seven thrones, and behind them a
cloth of samite of purple wrought with golden stars, and barred across
from right to left with long bars of silver and crimson, and edged below
with melancholy, fading green, like a September sunset; and opposite each
throne was a glittering suit of armour wrought wonderfully in bright
steel, except that on the breast of each suit was a face worked
marvellously in enamel, the face of Cissela in a glory of golden hair;
and the glory of that gold spread away from the breast on all sides, and
ran cunningly along with the steel rings, in such a way as it is hard
even to imagine: moreover, on the crest of each helm was wrought the
phoenix, the never-dying bird, the only creature that knows the sun; and
by each suit lay a gleaming sword terrible to look at, steel from pommel
to point, but wrought along the blade in burnished gold that outflashed
the gleam of the steel, was written in fantastic letters the word
'Westward.'
So Siur gazed till he heard footsteps coming; then he turned to meet
them. And Svend and his brethren sat silent in the council chamber, till
they heard a great noise and clamour of the people arise through all the
streets; and then they rose to see what it might be. Meanwhile on the
low marble tomb, under the dim sweeping vault sat, or rather lay, the
king; for, though his right arm still lay over her breast, his head had
fallen forward, and rested now on the shoulder of the marble queen. There
he lay, with strange confusion of his scarlet, gold-wrought robes;
silent, motionless, and dead. The seven brethren stood together on a
marble terrace of the royal palace, that was dotted about on the baluster
of it with white statues: they were helmetted, and armed to the teeth,
only over their armour great black cloaks were thrown.
Now the whole great terrace was a-sway with the crowd of nobles and
princes, and others that were neither nobles or princes, but true men
only; and these were helmetted and wrapped in black cloaks even as the
princes were, only the crests of the princes' helms were wrought
wonderfully with that bird, the phoenix, all flaming with new power,
dying because its old body is not strong enough for its new-found power:
and those on that terrace who were unarmed had anxious faces, some
fearful, some stormy with Devil's rage at disappointment; but among the
faces of those helmed ones, though here and there you might see a pale
face, there was no fear or rage, scarcely even any anxiety, but calm,
brave joy seemed to be on all.
Public-domain text, read in full here on John Shaqi.
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