The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856Morris, William
Science
The World of Romance: being Contributions to The Oxford and Cambridge Magazine, 1856
Morris, William
Middle Ages -- Fiction; Tales
The next division has in it the death and burial of the Virgin,--the
twelve Apostles clustering round the deathbed of the Virgin. I wish my
photograph were on a larger scale, for this indeed seems to me one of the
most beautiful pieces of carving about this church, those earnest faces
expressing so many things mingled with their regret that she will be no
more with them; and she, the Virgin-Mother, in whom all those prophecies
were fulfilled, lying so quiet there, with her hands crossed downwards,
dead at last. Ah! and where will she go now? whose face will she see
always? Oh! that we might be there too! Oh! those faces so full of all
tender regret, which even They must feel for Her; full of all yearning,
and longing that they too might finish the long fight, that they might be
with the happy dead: there is a wonder on their faces too, when they see
what the mighty power of Death is. The foremost is bending down, with
his left hand laid upon her breast, and he is gazing there so long, so
very long; one looking there too, over his shoulder, rests his hand on
him; there is one at the head, one at the foot of the bed; and he at the
head is turning round his head, that he may see her face, while he holds
in his hands the long vestment on which her head rests.
In my photograph the shadow is so thick that I cannot see much of the
burial of the Virgin, can see scarce anything of the faces, only just the
forms, of the Virgin lying quiet and still there, of the bending angels,
and their great wings that shadow everything there.
So also of the third and last division filling the top of the arch. I
only know that it represents the Virgin sitting glorified with Christ,
crowned by angels, and with angels all about her.
The first row in the vaulting of the porch I has angels in it, holding
censers and candlesticks; the next has in it the kings who sprung from
Jesse, with a flowing bough twisted all among them; the third and last is
hidden by a projecting moulding.
All the three porches of the west front have a fringe of cusps ending in
flowers, hanging to their outermost arch, and above this a band of flower-
work, consisting of a rose and three rose-leaves alternating with each
other.
Concerning the central porch of the west front.--The pillar which divides
the valves of the central porch carries a statue of Our Lord; his right
hand raised to bless, his left hand holding the Book; along the jambs of
the porch are the Apostles, but not the Apostles alone, I should think;
those that are in the side that I can see have their distinctive emblems
with them, some of them at least. Their faces vary very much here, as
also their figures and dress; the one I like best among them is one who I
think is meant for St. James the Less, with a long club in his hands; but
they are all grand faces, stern and indignant, for they have come to
judgment.
Public-domain text, read in full here on John Shaqi.
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