The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
According to the Chinese there are eight sound giving bodies
corresponding to the eight symbols of Fu Hsi, which they believe are
the expression of all the changes and permutations which take place in
the universe. These eight are stone, metal, silk, bamboo, wood, skin,
gourd, clay, with symbolic relations to the eight points of the compass
and the eight seasons of the year. The _Sheng_ is the representative of
the gourd principle. Originally the bowl was formed of a portion of a
gourd or calabash, although in later times made of wood and lacquered.
This gourd is in shape like a teacup, the top of which is covered by
the insertion of a circle of wood, having a series of holes around
the margin, into which the pipes are fixed; then there is a neck or
mouthpiece shielded by an ivory plate, through which the performer
draws the wind. My instrument is an old one, has been in this country
eighty years or more; and as it has been here photographed to a scale
of one fourth, all the proportions are preserved in the engraving. The
instrument is placed to the mouth with the pipes slanting to the right
shoulder, the right hand forefinger being placed within the opening
seen in the circle of pipes, and the thumb so placed as to be ready
to cover the hole seen on the second pipe, counting to the left from
this opening. The bowl is held in the hollow of the left hand, with the
fingers reaching upwards to the pipes.
A noticeable feature is that it is the left hand that fingers the
instrument, indicating a very early custom, in that respect. The pipe
engraved here is of full size, and shows the little metal free reed
affixed, which also is drawn at the side full size in its frame. The
slot determining the speaking length of the pipe is at the back, and is
here indicated at the proper position by the side diagram, the length
of pipe above the slot having no particular relation except an average
one of about the same length as the bottom portion reckoned from the
lowest end of the cut. The pipes numbers 3 and 4 have their holes at
the inside or back of the pipes in a position to be covered by the
forefinger of the right hand.
[Illustration: _Diagram of the Length of Slot at the Back._
_Fig. 29._
_A Pipe of the Sheng_ (_Full Size._)]
Public-domain text, read in full here on John Shaqi.
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