The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
Traditions embody general beliefs in stated facts, or supposed facts,
and history makes record of these, giving to them more or less
credence. The statements concerning the earliest developments of the
Greek scale are based upon traditions, since it was not until after the
lapse of many centuries that anything was written.
The recorded periods of civilization that held good in ancient
chronology have many of them been displaced by the newest explorers,
whose work within the last few years has been prolific in discoveries
affecting calculations of the relations of time in the past. The dates
I adopt will therefore have to be considered authentic only so far as
the learned choose to agree concerning them.
Old historians stated that Athens was founded in 1556 B.C. by Cecrops,
who led a colony from Sais, in Egypt, and established the kingdom
of Athens. Neith, or Nit, was the deity of Sais, her name also was
Minerva, the patron goddess of Athens. In less than fifty years
after, Danaus, who was accounted a brother of Amenhotep III. (by some
Egyptologists called Amunoph) left Egypt 1400 B.C. and founded Argos,
of which he became king, and died 1425 B.C.
These are highly important dates in the perspective of history.
Egypt, through the wars of Thotmes III. and the later expeditions
of the Amenhotep Pharaohs, had been raised to the height of empire;
Mesopotamia and Syria had been brought under her rule and her armies
were constantly traversing and retraversing that extensive region
tributary to her (known now by us as Asia Minor), reaching along that
coast of the Mediterranean and even to Cyprus, Crete and other isles.
By a few touches of history and a chain of dates, it may be possible
to bring before you life as it was, to excite your imagination to
realise in a broad view the state of the then known world, when in all
that vast territory, the high civilization to which Egypt had attained
could not have failed to influence the daily lives of those myriads of
peoples, busy with their tradings, and little ambitions, and religions,
and domestic wants, and pleasures. It was a very composite population,
tribes, clans and races, or by whatever names we class them, full of
jealousies and antagonisms, only held in abeyance from fighting by the
prospect of greater gain by trading with one another.
The musical instincts of the whole of these peoples probably followed
one channel common to all, their music differing but little from what
we call “folk-song”; and even varieties of language need not have
raised barriers in musical feeling, as the instance of the Song of
Linus referred to by Herodotus (see pages 63-4 ante) clearly shews.
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