The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
Then the American explorers in Babylonia have unearthed a tablet
sculptured in relief showing musicians, and one sitting, playing a
harp of eleven strings; Mr. St. Chad Boscawen gives the date of this
slab _circa_ B.C. 3,000, it was found at Tel-lo, the ancient Sirpurra.
Another valuable find, much earlier in date, was a terra-cotta relief
depicting a shepherd seated playing his lute, and his dog with a curly
tail standing beside him (probably this lute-lover was an earlier
Anacreon), the lute so like the Egyptian Nefer, and the attitude in
holding the instrument exactly the same; for so remote a time the
drawing of the figures is little less than marvellous. This relic was
found in the schoolroom attached to the temple library at Nippur, it
confirms the conjecture I put forth that the Nefer form was derived
from Babylonia—I called it the paddle form.
Each year fresh treasures may be unearthed, so energetic are the new
explorers, sons of nations, all rivals in archæological work, each
emulating the other in adding new riches to the Museums to hold in
trust for the world’s coming ages, adding to the known past other more
distant millenniums.
With so much material accumulating throwing new light upon the subject,
I contemplate a sequel to this volume, to be ready, if health aids the
fulfilment of my wish, by the coming Christmas, and to be entitled
“Our Musical Inheritance.”
INDEX.
A, the master note in Greek pitch, 335
Aalst, Van, on Migration of the Chinese, 8, 163
Semi-tonal scale, 160
on Gong chimes, 162
Stone chimes, 163
diagram of Lüs, 173-5
Books destroyed, 186
ideas of, 189
Abydos Tombs, Petrie’s discovery of cross-string Harps, 351
Abysinnian Kissar Harp, 294
Adonis, Phœnicean, 33
Afghanistan, carvings of double flutes, 9
Agriculture, of early Chinese, 168
Akkad, the early settlement, 167-172
Akkadean Language, 169
religion, 169
Hymn, 172
tetrachord surmised, 331
Alexander the Great, 350
Alexandrian Library, 10, 342-3,
philosophers, 343-4
Alypius, his scales, 149
characters used for notes in Greek music, 334
transposition of his scales by Ptolemy, 146
Amenhotep, 111
Statue of called the Memnon, 322
Amiot, Pere, Chinese Music, 158
reeds of Cheng, 173, 187
misled A. J. Ellis, 201
on flutes, 240
Amphoræ, Vases for oil, 78
Anacreon, his ten stringed lyre, 312, 335
his songs, 349
Ancestor Worship the religion of China, 168-9
orchestra for the rites, 275
Confucian Hymn, Music of, 282
Antigenedes on reed growth, 119-121
Apollo, his invention of the lyre, 14
statue of, 15
oracle of, 130
hymns to, 130
his temples, 130
the Delphic tablets and hymn, 146-150
lyre by Praxiteles, 323-342
tetrachord scheme of his
lyre 336,
Cretan seal of lyre 350
Arabia the Divine land 11, 161
Archilochus, musician 339
Archytas, his major third 340,
contemporary with Plato 342-3
Public-domain text, read in full here on John Shaqi.
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