The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and SumerSmith, Hermann
History
The World's Earliest Music: Traced to Its Beginnings in Ancient Lands by Collected Evidence of Relics, Records, History, and Musical Instruments from Greece, Etruria, Egypt, China, Through Asyria and Babylonia, to the Primitive Home, the Land of Akkad and Sumer
Smith, Hermann
Music -- To 500 -- History and criticism
To the description given by Mr. W. Chappell, he adds his own comment:
“these reeds throw out shoots around them, and perhaps each row of
shoots may have been counted as a year’s growth.” I am not so sure
that a reed “pervious throughout” would throw off shoots; some such
are merely sheathed like bulrushes and flags. The contention of Mr.
Rowbotham that Antigenedes “must needs change the time of cutting
flute reeds, in order to get crisp reeds, and reeds with small
bores, and that they might give out these (_Hemiolian Chromatic_)
querulous intervals” is not convincing, and the use of the word
“querulous” betrays that he is “begging the question”; indeed, his
point is that “the age was an age of quibbling and cavilling and
hair splitting, and these subtleties of thought had their parallel
or consequence in other things as well,”—including querulous flutes.
This imagined correspondence between things and thoughts shews the
writer to be clever as a special pleader, but that he is a specialist
in wind instruments does not follow. The question is still open, did
Theophrastus speak of flute reeds or of flute pipes, or of the reeds to
be used for bulbs, or of those for making reed tongues?
Antigenedes wrote about the year 450 B.C., it is said, that he
increased the number of holes of the flute. It is a curious coincidence
that Ling Lun the Chinese minister of Huang-Ti, was also sent to a
_chosen spot_, called Tahsia (since identified as Bactria, the mother
of cities from its unrivalled antiquity) west of the Kuenlun mountains,
where there is a valley called Chichku where bamboos of regular
thickness grew, that he might there choose the finest sort for music,
and thus set out the true _lus_ or laws and principles. How strangely
the Greeks and Chinese tales agree, that the pipes must be very choice,
and of a particular growth.
Some years back, when I first entertained the idea that these bulbs
figuring on the vases represented real hollow bulbs, I sought high and
low for evidence of any species of reed growing with such distinct
shape that it could be so employed. I made enquires of curators at
South Kensington botanical departments, and also at Kew, but without
success, and no botanist could afford me the information that I was
anxious for. There was no reed, neither roots of reeds, anywhere
answering the description.
Yet such reeds grew! It is because the nature of the growth of the
reed has assumed a most interesting importance at the present stage of
our investigations, that I have introduced these quotations from the
ancient writers.
Public-domain text, read in full here on John Shaqi.
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